[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c10.69 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.69 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.69 - **Language:** English ### [c10.69](https://indike.org/pramana/ins.art.gangoly-1935.c10.69) (both of them compilations, which liberally quote earlier authorities), contain quotations from earlier rāga-mālā texts. Of these, Rāga-kutūhala, and Viṭṭhal’s Rāga-mālā, have already been discussed. He however cites some anonymous verses, giving the dhyāna formula of three of the early grāma-rāgas, two of which are of interest, as will appear from the examples cited below: “Śuddha Khāḍava: ‘Seated at the foot of a tree, with his mind under control, (yet) smiling in company with his beloved, his head covered by a coronet, Śuddha Khāḍava is thus described.’”¹ - [Previous: c10.68](https://indike.org/pramana/ins.art.gangoly-1935.c10.68) - [Next: c10.70](https://indike.org/pramana/ins.art.gangoly-1935.c10.70) - [Up: c10](https://indike.org/pramana/ins.art.gangoly-1935.c10) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c10.69](https://indike.org/pramana/ins.art.gangoly-1935.c10.69) · Pramāṇa