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Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c14.s4: Supplementary Bibliography

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c14.s4

Language
English

Contents

Supplementary Bibliography

Books

c14.s4.t1.1

HEMENDRA LAL ROY *Problems of Hindustani Music*, Bharati Bhavan, Calcutta, 1937

c14.s4.t1.2

S SUBRAMANYA SASTRI. *The Sangraha-cuda mani of Govinda*. With a Critical introduction in English by T R. Srinivasa Iyengar, The Adyar Library, Madras, 1939

c14.s4.t1.3

C. SUBRAMANYA AYYAR. *The Grammar of South Indian Music*, 1939 Maharana Vijayadeoji of Dharampur—*Sangit Bhava*, Vol II (English Gujarati text) B. J. Mody, Sanj Var-taman Press, Bombay, 1940

c14.s4.t1.4

G H RANADE *Hindustani Music, an Outline of its Physics*, Poona, 1939

c14.s4.t1.5

S. SUBRAMANYA SASTRI: *Sangita-ratnakara* with the commentaries of Chatura-Kallunatha and Simhabhupala, Bramhavidya, The Adyar Library Bulletin, 1940.

c14.s4.t1.6

P. S. S AIYAR AND S S SASTRI: *Sangīta-Sudhā* of King Raghu-natha of Tanjore, Madras, 1941

c14.s4.t1.7

K. G. MULAY: *Bharatiya Sangit* (Marathi Text), Yoshoda-chin-tamani Trust Series, Vol. X, Bombay 1941)

c14.s4.t1.8

P SAMBAMOORTY: *South Indian Music*, 3rd Edition, Madras, 1941

c14.s4.t1.9

RAMAKRISHNABUA VAZE: *Sangit Kala Prakash*, Part II (Hindi Text), R N Veze, Loka Sangraha Press, Poona, 1941

c14.s4.t1.10

C KUNHAN RAJA: *Sangita-Ratnakara* of Sarangadeva, English Translation, The Adyar Library, Madras, 1945

c14.s4.t1.11

V. N BHATKHANDE: *A Comparative study of some of the Lead-ing Music Systems of the 15th, 16th, 17th and 18th Centuries*, Bombay, 1941

c14.s4.t1.12

V N. BHATKHANDE: *Hindusthani Sangit Paddhati*, 5th Edition (Marathi Text) Bombay, 1941

c14.s4.t1.13

SHRIPADA BANDOPADHYAYA: *The Music of India, A Popular Handbook of Hindusthani Music, with 23 reproductions of Indian Miniature Paintings depicting Ragas and Raginis*, D B Taraporevala Sons & Company, Bombay

c14.s4.t1.14

R L BATRA: *Science and Art of Indian Music*, Lion Press, Lahore, 1945

c14.s4.t1.15

D. P. MUKHERJI: *Indian Music, An Introduction*, Kutub Pub-lishers, Bombay, 1945

c14.s4.t1.16

SHRIPADA BANDOPADHYAYA: *The Origin of Raga A short Historical Sketch of Indian Music*, Sircar Bros Daryagang, Delhi, 1946

Articles

c14.s4.t2.1

MISS P C DHARMA: *Musical Culture in the Ramayana*, Indian Culture, Vol IV, 1938 pp 445-454.

c14.s4.t2.2

MAHARANA SAHEB OF DHARAMPUR: *Music in India*, Indian Arts and Letters XII, 1938, pp 61-64

c14.s4.t2.3

MUHAMMAD UMAR KOKIL: *Music during the reign of the Sul-tans of Gujarat* (Gujarati Text) Quarterly Journal of Forbes Gujarati Sabha, Bombay, Vol III, 1938, p 398

c14.s4.t2.4

LAKSHMANA SANKARA BHATTA *The mode of Singing Sama Gana*, Poona Orientalist, IV, 1939, p 1-21

c14.s4.t2.5

V K R. MENON AND V. K RAGHAVAN. “*Govinda*”, the greatest musical theorist of South India, Bulletin Ramverma Research Institute, Trichur, VII, 1939, pp 140-143.

c14.s4.t2.6

N S RAMACHANDRAN *The Ragas of Karnatic Music*, Bulletin No 1, Department of Indian Music, University of Madras, 1938

c14.s4.t2.7

P SAMBHAMURTI *A History of Sacred Music of India*, K. V. Rangaswami Aiyangar Commemoration Volume, Madras, 1940.

c14.s4.t2.8

JOHN KAVANAGH *Indian Music*, Indian Arts & Letters, XIV, 1940, pp 105-110

c14.s4.t2.9

TARUN GHOSHAL *Hindu Contribution to Music*, Calcutta Review, LXXIX, 1940, pp 257-266

c14.s4.t2.10

K D RUKMINIYAMA *Music*, Journal of Indian History, XX, 1941, pp 133-34

c14.s4.t2.11

DENNIS STOLL *The Philosophy and Modes of Hindu Music*, Asiatic Review, Vol 37, 130, 1941, pp 334 342

c14.s4.t2.12

O C GANGOLY *Non-Aryan Contribution to Aryan Music*, Annals of the Bhandarkar Oriental Research Institute

c14.s4.t2.13

O C GANGOLY *Date of the Sangita-Raga-Kalpa-Drumah*, Annals of the Bhandarkar Oriental Research Institute, Poona, Vol XV, Pts 1-11, 1931

c14.s4.t2.14

O C GANGOLY *Who were the Satavahanas?* Journal of the Andhra Historical Research Society, Vol XI, Pts 1 & 2, P 13-15 (Discussion of Andhra Ragini)

c14.s4.t2.15

O C GANGOLY—*Dhruva. A type of Old Indian Stage-Songs*, the Journal of the Music Academy Madras, Vol XIV, Pts I-VI, P P 1-7

c14.s4.t2.16

O C GANGOLY *The Meaning of Music*, The Hindoosthan, (a quarterly Journal published from Calcutta) January-March 1946, P 12

c14.s4.t2.17

Dr BANI CHATTERJI—*Applied Music*, a Lecture delivered at the Royal Asiatic Society of Bengal, 8th March, 1948, and Published by Bankim Mukherji, No 5/1B, Baranashi Ghose 2nd Lane, Calcutta.