[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c14 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c14: Selected Bibliography Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c14 - **Language:** English ## Contents - [c14.s1 I. Books](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1) — 29 parts - [c14.s2 II Essays and Articles in Journals, Periodicals, Etc](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2) — 24 parts - [c14.s3 III. Journals on Indian Music](https://indike.org/pramana/ins.art.gangoly-1935.c14.s3) — 6 parts - [c14.s4 Supplementary Bibliography](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4) — 2 parts ### Selected Bibliography ### I. Books ### [c14.s1.1](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.1) RAJA SOURINDRA MOHUN TAGORE: \*Six Principal Ragas of the Hindus\*, 6 plates, Calcutta 1877. \*Out of print.\* ### [c14.s1.2](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.2) RAJA SOURINDRA MOHUN TAGORE: \*The Eight Principal Ragas of the Hindus, with tableaux and dramatic pieces illustrating their character\*, pp. 161, 8 plates, Calcutta, 1880. \*Out of print.\* ### [c14.s1.3](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.3) J. GROSSET (Lyon): \*Contribution à l'étude de la Musique Hindoue\*, (Paris, 1888, Leroux). \*Out of print.\* ### [c14.s1.4](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.4) B. A. PINGLE: \*Indian Music\*, pp. XVIII, 341, Index, Byculla, 1898, 2nd Edition. \*Out of print.\* ### [c14.s1.5](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.5) ANNE C. WILSON: \*A Short Account of the Hindu System of Music\*, pp. 48, London, 1904. ### [c14.s1.6](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.6) RICHARD SIMON: \*The Musical Compositions of Somanatha critically edited with a table of notations (Lithographed Ms. in Nāgari)\*, pp. 11,33 Leipzig, 1904. ### [c14.s1.7](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.7) A. K. COOMARASWAMY: \*Essays in National Idealism\*, Colombo, 1909. Chapter on Music. ### [c14.s1.8](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.8) MRS. MAUD MANN: \*Some Indian Conceptions of Music\*, (Proceedings of the Musical Association), London, 1911, 12, pp. 41. ### [c14.s1.9](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.9) A. C. MACLEOD (Lady Wilson): \*Five Indian Songs\*, Edinburgh, 1912. ### [c14.s1.10](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.10) RATAN DEVI: \*Thirty Indian songs, with texts and translations by A. K. Coomaraswamy\*, London, 1913, 7 Illustrations. \*Out of print. Perhaps Messrs. Luzac & Co. London have copies.\* ### [c14.s1.11](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.11) E. CLEMENTS: \*Introduction to the Study of Indian Music\*, pp. IX, 104, London, 1913. (Longmans Green & Co.). ### [c14.s1.12](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.12) E. CLEMENTS: \*Lectures on Indian Music\*, Philharmonic Society, Poona (no date). ### [c14.s1.13](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.13) A. H FOX-STRANGWAYS \*The Music of Hindostan\*, Oxford, 1914 ### [c14.s1.14](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.14) K. V. DEVAL. \*Theory of Indian Music as expounded by Somanath\*, pp 64, Arya Bhusan Press, Poona, 1916. ### [c14.s1.15](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.15) Report of the First All-India Musical Conference held at Delhi in 1916, Baroda, 1917 ### [c14.s1.16](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.16) Report of the Second All-India Musical Conference held at Delhi in 1919 Delhi, 1919 ### [c14.s1.17](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.17) Report of the Fourth All-India Music Conference held at Lucknow in 1925. Lucknow, 1925. ### [c14.s1.18](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.18) K V DEVAL \*The Rāgas of Hindustan\*, Philharmonic Society, Poona, 1918-23, 3 Vols ### [c14.s1.19](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.19) H A POPLEY \*The Music of India\* (Heritage of India Series), Association Press, 3, Russell Street, Calcutta, 1921. ### [c14.s1.20](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.20) H P KRISHNA RAO \*The First Steps in Hindu Music in English notation\*, Bangalore ### [c14.s1.21](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.21) H P KRISHNA RAO \*The Psychology of Music\*, Bangalore, 1923, (To be had of author, 6th Road, Chamarajpet, Bangalore). ### [c14.s1.22](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.22) ATIYA BEGUM FYZEE-RAHAMIN \*The Music of India\*, London, Luzac & Co , 1926 ### [c14.s1.23](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.23) ETHEL ROSENTHAL \*The story of Indian Music and its Instruments A Study of the Present & A Record of the Past\*, (William Reeves), London, 1928 ### [c14.s1.24](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.24) PANDIT N V. BHATKHANDE (Vishnu Sarmā) \*Hindusthānī Sangīt Paddhati\*, published by B. S. Sukthankar, Vols I to IV, Poona, San 1914-1932. In Mahratta ### [c14.s1.25](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.25) A Hindi translation of this work is in course of publication in the Journal “Sangeeta”, Lucknow ### [c14.s1.26](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.26) LALA KANNOO MAL. \*Kāma-Kalā\*, published by the Punjab Sanskrit Book Depot, Lahore, 1931. ### [c14.s1.27](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.27) M. S RAMASWAMI AIYAR \*Rāmamātya’s “Swara-Kalā-nidhi”\* edited with Introduction and Translation, The Annamalai University, 1932. ### [c14.s1.28](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.28) M S RAMASWAMI AIYAR \*Somanāth’s “Rāga-vivodha”\*, edited with Introduction and Translation, Triplicane, Madras, 1933 ### [c14.s1.29](https://indike.org/pramana/ins.art.gangoly-1935.c14.s1.29) MAHARANA VIJAYADEVJI OF DHARAMPUR: \*Sangit Bhāva\* (with pictorial illustrations and notations of rāgas), Bombay, 1933 (Publishers: D B. Taraporevala & Sons). RAI BAHADUR BISHAN SWARUP: \*Theory of Indian Music\*, Swarup Bros. Maithan, Agra, 1933 ### II Essays and Articles in Journals, Periodicals, Etc ### [c14.s2.1](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.1) PANDIT N. V BHATKANDE: \*A Short Historical Survey of the Music of Upper India\* (A paper read at All-India Music Conference, Baroda, 1916) published by "Bombay Samācar," 1917. ### [c14.s2.2](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.2) PERCY BROWN: \*Visualised Music\*, Young Men of India May 1918. ### [c14.s2.3](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.3) JOGENDRA NATH MUKHERJEE: \*A Lecture on Rāgas & Rāginis\* delivered at 'Indian Music Salon' held at Government House, Calcutta, on 7th December 1920, published by the Indian Society of Oriental Art, Calcutta, 1921, with illustrations. ### [c14.s2.4](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.4) P V. MAUJI: \*Rāginālā\*, (a series of articles in English with Sanskrit and Hindi texts, and annotations in Gujarati, accompanied by illustrations of Rāgini pictures, published in the Journal "Suvarna-Mālā", Bombay, 1923-1928 ### [c14.s2.5](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.5) S G KANHERE: \*Some Remarks on Indian Music\*, (Bulletin, School of Oriental Studies, London, Vol IV, pp 105-120). ### [c14.s2.6](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.6) LALA KANNOO MAL: \*Notes on Rāginis\*, (Rūpam No. 11, 1922). ### [c14.s2.7](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.7) PHILIPPE STERN: \*La Musique Indoue\*, (La Revue Musical, Mai, 1923, pp 31-36, Paris). ### [c14.s2.8](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.8) A. K COOMARASWAMY: \*Hindi Rāgmālā texts\*, (Journal of the American Oriental Society, Vol 43, 1933 pp 396-409) ### [c14.s2.9](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.9) STANLEY RICE: \*Hindi Music\*, (The New Criterion, June 1926, pp. 538-551, London) ### [c14.s2.10](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.10) A. K COOMARASWAMY: \*Dipaka Rāga\*, (Year Book of Oriental Art & Culture, London, 1925, p. 29). ### [c14.s2.11](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.11) M. RAMAKRISHNA KAVI: \*King Nānyadeva on Music\*, (The Quarterly Journal of the Andhra Historical Research Society, October 1926, Vol. I, Part 2 pp. 55-63) ### [c14.s2.12](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.12) M. RAMAKRISHNA KAVI. \*Literature on Music\*, (\*Ibid\*, July 1928, Vol III, Part 1, pp 20-29) ### [c14.s2.13](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.13) M RAMAKRISHNA KAVI \*Literary Gleanings Sangitāchāryas Nānyadeva, Jagadekamalla, Someśvara, Śārangadeva, Pārsva-deva, Devana Bhatta, Aliya Rāmarāya\* (\*Ibid\*, Vol IV, Parts 2, 3, & 4, October 1928—April 1929) ### [c14.s2.14](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.14) BRAJENDRA KISHORE ROY CHOUDHURY A series of articles in Bengali on the iconography of rāgas with Sanskrit texts in the Bengali monthly Journal \*Sangīta-Vijñāna-Praveśikā\* (Bengali years 1335 to 1340) ### [c14.s2.15](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.15) V V NARASIMHACHARY \*The Early Writers on Music\*, (Journal Music Academy, Madras, 1930, Vol I, No 3, Vol II, No 2) ### [c14.s2.16](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.16) PANDIT V N BHATKHANDE \*A Comparative Study of the Leading Music Systems of the 15th, 16th, 17th, and 18th centuries\* (A Series of articles published in “Sangeeta”, Lucknow, Vol I, No. 1, 2, 3, 4, 1930-1931) ### [c14.s2.17](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.17) T L VENKATARAMA IYER \*The Musical Element in Kalidasa\* (Journal of Oriental Research, Madras, Vol IV, Part IV, 1930) ### [c14.s2.18](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.18) V RAGHAVAN \*Some Names in Early Sangīta Literature\*, (Journal of the Music Academy, Madras, Vol III, Nos 1 & 2, 1932) ### [c14.s2.19](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.19) V RAGHAVAN \*Some More Names in Early Sangīta Literature\*, (\*Ibid\*, Vol III, No 3 and 4, 1932) ### [c14.s2.20](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.20) V RAGHAVAN \*Later Sangīta Literature\*, (read before the Music Conference, Madras, December, 1932) ### [c14.s2.21](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.21) N C METHA \*Rāgas & Rāginīs in a Laudian Ms\*, (The Bodleian Quarterly Record, Vol VI, No 76, Oxford, 1932) ### [c14.s2.22](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.22) PHILIPPE STERN \*The Music of India and the theory of the Rāga\* (Indian Art and Letters, New Series, Vol III, No 1, pp 1-9, London, 1933) ### [c14.s2.23](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.23) W. J. TURNER ‘\*Visual Music\*’, (The New Statesman and Nation, London, July 7, 1934, p 13) ### [c14.s2.24](https://indike.org/pramana/ins.art.gangoly-1935.c14.s2.24) O C. GANGOLY ‘\*Rig Rāginīr nāma-rahasya\*’ \[The mystery of the names of melodies\], (A series of articles in Bengali published in the Journal \*Sangīta-Vijñāna-Praveśikā\*, Calcutta, Bengali year 1941, Baiśākh to Chaitra) ### III. Journals on Indian Music ### [c14.s3.1](https://indike.org/pramana/ins.art.gangoly-1935.c14.s3.1) I \*The Indian Music Journal\* (monthly) edited by H P Krishna Rao, Mysore, 1911-1912, now extinct. ### [c14.s3.2](https://indike.org/pramana/ins.art.gangoly-1935.c14.s3.2) II \*Sangeeta-Prakāśikā\* (monthly), a Bengali Journal, Calcutta (1307 to—), now extinct A translation in Bengali of the Sanskrit text of Rāga-Vivodha was serially published in this Journal ### [c14.s3.3](https://indike.org/pramana/ins.art.gangoly-1935.c14.s3.3) III. \*Ananda-Sangita-Patrikā\*, (monthly Journal in Bengali, Edited and published by Lady Prativa Chowdhury and Indira Devi, Calcutta (1320—) ### [c14.s3.4](https://indike.org/pramana/ins.art.gangoly-1935.c14.s3.4) IV \*Sangeeta\*, A quarterly Journal of Hindustanic Music, published by the Marris College of Hindustani Music, Lucknow (From 1930, in progress) ### [c14.s3.5](https://indike.org/pramana/ins.art.gangoly-1935.c14.s3.5) V \*The Journal of the Music Academy\*, Madras, A quarterly devoted to the Advancement of the Science and Art of Music (From January 1930, in progress) ### [c14.s3.6](https://indike.org/pramana/ins.art.gangoly-1935.c14.s3.6) VI. \*Sangita-Vijñāna-Praveśikā\* (monthly Journal in Bengali, from 1331 Bengali year, in progress). ### Supplementary Bibliography ### Books ### [c14.s4.t1.1](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.1) HEMENDRA LAL ROY \*Problems of Hindustani Music\*, Bharati Bhavan, Calcutta, 1937 ### [c14.s4.t1.2](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.2) S SUBRAMANYA SASTRI. \*The Sangraha-cuda mani of Govinda\*. With a Critical introduction in English by T R. Srinivasa Iyengar, The Adyar Library, Madras, 1939 ### [c14.s4.t1.3](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.3) C. SUBRAMANYA AYYAR. \*The Grammar of South Indian Music\*, 1939 Maharana Vijayadeoji of Dharampur—\*Sangit Bhava\*, Vol II (English Gujarati text) B. J. Mody, Sanj Var-taman Press, Bombay, 1940 ### [c14.s4.t1.4](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.4) G H RANADE \*Hindustani Music, an Outline of its Physics\*, Poona, 1939 ### [c14.s4.t1.5](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.5) S. SUBRAMANYA SASTRI: \*Sangita-ratnakara\* with the commentaries of Chatura-Kallunatha and Simhabhupala, Bramhavidya, The Adyar Library Bulletin, 1940. ### [c14.s4.t1.6](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.6) P. S. S AIYAR AND S S SASTRI: \*Sangīta-Sudhā\* of King Raghu-natha of Tanjore, Madras, 1941 ### [c14.s4.t1.7](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.7) K. G. MULAY: \*Bharatiya Sangit\* (Marathi Text), Yoshoda-chin-tamani Trust Series, Vol. X, Bombay 1941) ### [c14.s4.t1.8](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.8) P SAMBAMOORTY: \*South Indian Music\*, 3rd Edition, Madras, 1941 ### [c14.s4.t1.9](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.9) RAMAKRISHNABUA VAZE: \*Sangit Kala Prakash\*, Part II (Hindi Text), R N Veze, Loka Sangraha Press, Poona, 1941 ### [c14.s4.t1.10](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.10) C KUNHAN RAJA: \*Sangita-Ratnakara\* of Sarangadeva, English Translation, The Adyar Library, Madras, 1945 ### [c14.s4.t1.11](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.11) V. N BHATKHANDE: \*A Comparative study of some of the Lead-ing Music Systems of the 15th, 16th, 17th and 18th Centuries\*, Bombay, 1941 ### [c14.s4.t1.12](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.12) V N. BHATKHANDE: \*Hindusthani Sangit Paddhati\*, 5th Edition (Marathi Text) Bombay, 1941 ### [c14.s4.t1.13](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.13) SHRIPADA BANDOPADHYAYA: \*The Music of India, A Popular Handbook of Hindusthani Music, with 23 reproductions of Indian Miniature Paintings depicting Ragas and Raginis\*, D B Taraporevala Sons & Company, Bombay ### [c14.s4.t1.14](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.14) R L BATRA: \*Science and Art of Indian Music\*, Lion Press, Lahore, 1945 ### [c14.s4.t1.15](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.15) D. P. MUKHERJI: \*Indian Music, An Introduction\*, Kutub Pub-lishers, Bombay, 1945 ### [c14.s4.t1.16](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t1.16) SHRIPADA BANDOPADHYAYA: \*The Origin of Raga A short Historical Sketch of Indian Music\*, Sircar Bros Daryagang, Delhi, 1946 ### Articles ### [c14.s4.t2.1](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.1) MISS P C DHARMA: \*Musical Culture in the Ramayana\*, Indian Culture, Vol IV, 1938 pp 445-454. ### [c14.s4.t2.2](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.2) MAHARANA SAHEB OF DHARAMPUR: \*Music in India\*, Indian Arts and Letters XII, 1938, pp 61-64 ### [c14.s4.t2.3](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.3) MUHAMMAD UMAR KOKIL: \*Music during the reign of the Sul-tans of Gujarat\* (Gujarati Text) Quarterly Journal of Forbes Gujarati Sabha, Bombay, Vol III, 1938, p 398 ### [c14.s4.t2.4](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.4) LAKSHMANA SANKARA BHATTA \*The mode of Singing Sama Gana\*, Poona Orientalist, IV, 1939, p 1-21 ### [c14.s4.t2.5](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.5) V K R. MENON AND V. K RAGHAVAN. “\*Govinda\*”, the greatest musical theorist of South India, Bulletin Ramverma Research Institute, Trichur, VII, 1939, pp 140-143. ### [c14.s4.t2.6](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.6) N S RAMACHANDRAN \*The Ragas of Karnatic Music\*, Bulletin No 1, Department of Indian Music, University of Madras, 1938 ### [c14.s4.t2.7](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.7) P SAMBHAMURTI \*A History of Sacred Music of India\*, K. V. Rangaswami Aiyangar Commemoration Volume, Madras, 1940. ### [c14.s4.t2.8](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.8) JOHN KAVANAGH \*Indian Music\*, Indian Arts & Letters, XIV, 1940, pp 105-110 ### [c14.s4.t2.9](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.9) TARUN GHOSHAL \*Hindu Contribution to Music\*, Calcutta Review, LXXIX, 1940, pp 257-266 ### [c14.s4.t2.10](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.10) K D RUKMINIYAMA \*Music\*, Journal of Indian History, XX, 1941, pp 133-34 ### [c14.s4.t2.11](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.11) DENNIS STOLL \*The Philosophy and Modes of Hindu Music\*, Asiatic Review, Vol 37, 130, 1941, pp 334 342 ### [c14.s4.t2.12](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.12) O C GANGOLY \*Non-Aryan Contribution to Aryan Music\*, Annals of the Bhandarkar Oriental Research Institute ### [c14.s4.t2.13](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.13) O C GANGOLY \*Date of the Sangita-Raga-Kalpa-Drumah\*, Annals of the Bhandarkar Oriental Research Institute, Poona, Vol XV, Pts 1-11, 1931 ### [c14.s4.t2.14](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.14) O C GANGOLY \*Who were the Satavahanas?\* Journal of the Andhra Historical Research Society, Vol XI, Pts 1 & 2, P 13-15 (Discussion of Andhra Ragini) ### [c14.s4.t2.15](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.15) O C GANGOLY—\*Dhruva. A type of Old Indian Stage-Songs\*, the Journal of the Music Academy Madras, Vol XIV, Pts I-VI, P P 1-7 ### [c14.s4.t2.16](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.16) O C GANGOLY \*The Meaning of Music\*, The Hindoosthan, (a quarterly Journal published from Calcutta) January-March 1946, P 12 ### [c14.s4.t2.17](https://indike.org/pramana/ins.art.gangoly-1935.c14.s4.t2.17) Dr BANI CHATTERJI—\*Applied Music\*, a Lecture delivered at the Royal Asiatic Society of Bengal, 8th March, 1948, and Published by Bankim Mukherji, No 5/1B, Baranashi Ghose 2nd Lane, Calcutta. --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c14](https://indike.org/pramana/ins.art.gangoly-1935.c14) · Pramāṇa