Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s11: Appendix 12
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s11
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Appendix 12
c15.s11.1
CLASSIFICATION OF RĀGAS.
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According to *Rāgārṇava* as cited in the *Śārangadhara-Paddhati*, a work compiled in 1363 A.D.
c15.s11.3
The original text of *Rāgārṇava* (datable about the 1300 A.D.) has not yet been traced.
c15.s11.4
1. BHAIRAVA
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| 1. Vaṅgapāla | 2. Guṇakari | 3. Madhyamādi | 4. Vasanta | 5. Dhanaśrî |
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2. PANCAMA
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| 1. Lalitā | 2. Gurjjarî | 3. Deśî | 4. Varātî | 5. Rāma-krit |
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3. NAṬA
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| 1. Naṭa-Nārāyaṇa | 2. Gāndhāra | 3. Sālaga (Sīlamka) | 4. Kedāra | 5. Karṇāṭa |
c15.s11.10
4. MALLĀRA
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| 1. Megha | 2. Mallārikā | 3. Mālava-Kouśika | 4. Prati-manjarî(?) (-Paṭamanjarî) | 5. Āsāvarî |
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5. GOUḌA-MĀLAVA
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| 1. Hindola | 2. Triguṇā | 3. Dhānî (?) | 4. Gouḍî | 5. Kolāhala |
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6. DEŚĀKH
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1. Bhūpālī 2. Hari-pāla 3. Kāmodī 4. Dhoraṇī 5. Vilāvalī
Cites (3)
- Lalitā — Sanskrit
- Gurjara
- Śārṅgadharapaddhati — Śārṅgadhara, Sanskrit