Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s2: Appendix 2
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s2
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Appendix 2
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The Eighteen Jātis (modes)
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According to Bharata’s Nātya-Śāstra, C, 3rd Century A D (Chapter 28, Verses 41-45.)
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| Sadja-grāma. | Madhyama-grāma. | |
| Sādjī (or Sādjā) | Gāndhārī (or Gāndhārā) | Madhyamodīcyavā. |
| Ārsabhī | Madhyamā | Nandayantī. |
| Dhaivatī | Pancamī | Karmāravī. |
| Nisādinī (or Nisādavatī) | Gāndhārodīcyavā | Āndhrī. |
| Sadjodīcyavatī or Odicyavā) | Gāndhāra-Pancamī | Kaiśikī. |
| Sadja-Kaiśikī | Rakta-Gāndhārī | |
| Sadjamadhyā (or madhyamā) | | |
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Eleven Composite Jātis
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(Chapter 28, Verses 48-54)
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| Names | Component Jātis. |
| 1. Sadja-Madhyamā | Sādjī, Madhyamā |
| 2 Sadja-kaisikī | Gāndhārī. Sādjī |
| 3 Sadjodīcyavā | Sādjī, Gāndhārī, Dhaivatī |
| 4 Gāndhārodīcyavatī | Sādjī, Gāndhārī, Pancamī (Madhyama, G), Dhaivatī |
| 5. Madhyamodīcyavā | Gāndhārī, Pancamī, Madhyamā, Dhaivatī, |
| 6 Rakta-Gāndhārī | Gāndhārī, Pancamī, Nisādī |
| 7. Āndhrī | Gāndhārī, Ārsabhī |
| 8 Nandayantī | Ārsabhī, Pancamī, Gāndhārī |
| 9. Karmāravī | Nisādī, Ārsabhī, Pancamī* |
| 10 Gāndhārapancamī | Gāndhārī, Pancamī |
| 11 Kaisikī | Sādjī, Gāndhārī, Madhyamā, Pancamī, Nisādī. |
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* “Karmāravīm nisādī sārsabhī pancamī kuryuh” 53
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Classification or Jātis, according to the number of their notes (svaras).
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(Chapter 28, Verses 57-64)
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| | 4 Sampūrna (Hepta-tonic) | 4 Sādva (Hexa-tonic) | 10 Audava (Penta-tonic) |
| Sadja-grāma. | 1 Sadja-kaisikī | 1 Sādjī | 5 { Ārsabhī, Dhaivatī, Nisādī, Sadja-madhyamā, Sadjodīcyavatī } |
| Madhyama-grāma | 3 { Karmāravī, Gāndhāra-pancamī, Madhyamodīcyavā } | 3 { Gāndharodīcyavā, Ārdhrī, Nandayantī } | 5 { Gāndhārī, Rakta-gāndharī, Madhyamā, Pancamī, Kaisikī } |
Linked texts (1)
- Nāṭyaśāstra — Bharata, Sanskrit