Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s23: Appendix 25
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s23
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Appendix 25
c15.s23.1
According to *Anūpa-Sangītankuśa* by Bhāva-bhaṭṭa (1674-1701 A.D.)
c15.s23.2
The author belongs to the Northern School. He utilises both Southern and Northern texts both of which he quotes profusely. He accepts *Sangīta-Pārijāta* and *Sangīta-ratnākara* as leading authorities.
c15.s23.3
BHAIRAVA
c15.s23.4
| Madyamādī | Bhairavī | Vāngalī | Varātī | Saindhavī |
c15.s23.5
MĀLAVA-KOUŚIKA
c15.s23.6
| Toḍī | Khamvāvatī | Goudī | Gunakirī | Kakubhā |
c15.s23.7
HINDOLA
c15.s23.8
| Velāvalī | Rāmakirī | Deśāksī | Patamanjaī | Lalitā |
c15.s23.9
DĪPAKA
c15.s23.10
| Kedārikā | Deśī | Kāmodī | Nāṭikā | Karṇāṭī |
c15.s23.11
ŚRĪ-RĀGA
c15.s23.12
| Vasantī | Mālavī | Mālaśrī | Sāverī | Dhanāśrī |
c15.s23.13
MEGHA
c15.s23.14
| Mallārī | Deśakārī | Bhūpālī | Gurjarī | Takka |
Linked texts (2)
- Saṅgītaratnākara — Śārṅgadeva, Sanskrit
- Saṅgītapārijāta — Ahobilasūri 1600, Sanskrit