Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s27: Appendix 29
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s27
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Appendix 29
c15.s27.1
According to a Hindî treatise known as “Rāga-Kutūhala” by Radha Krishna Kavi, composed in Samvat 1853-1781 A.D.
c15.s27.2
(Ms in the possession of Kuñwar Brajendra Singh, Dholpur and described by him in the Hindî monthly *Saraswatî*, November 1933, p. 425).
c15.s27.3
BHAIRAVA
c15.s27.4
| Bhairavî | Saindhavî | Bairārî | Madhumādhavî (? Madhya-mādî) | Bangālî |
c15.s27.5
MĀLKOUŚA
c15.s27.6
| Gourî | Todî | Gunakalî | Khamvāvatî | Kukabhā |
c15.s27.7
HINDOLA
c15.s27.8
| Vilāval | Rāmakeli | Lalit | Deośākh | Patamanjarî |
c15.s27.9
DÎPAK
c15.s27.10
| Kanaḍā | Deśî | Kāmod | Kedāra | Naṭ |
c15.s27.11
ŚRĪ-RĀGA
c15.s27.12
Vasanta | Mālaśrī | Āśāvarī | Mārvā | Dhanāśrī
c15.s27.13
MEGHA
c15.s27.14
Bhūpālī | Mallāra | Gujarī | Tanka | Deśakārī