Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s28: Appendix 30
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s28
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Appendix 30
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CLASSIFICATION OF RĀGAS.
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According to Sangīta-sāra, compiled by Mahārāja Sawai Pratap Simha Deo of Jaipur, (1779-1804 A.D.)
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He purports to follow the School of Hanumāna, and after specifying the six rāgas and 30 rāginīs according to Hanumāna he adds the names and descriptions of the respective sons of the six rāgas, each having 8 sons according to the scheme set out below:—
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BHAIRAVA
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Vangāla | Pancama | Madhura | Haraṣa | Deśākh | Lalita | Vilāval | Mādhava
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MĀLKOUŚA
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Nandan | Khokar
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HINDOLA
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Vangāl | Candra- | Śubhrānga | Ānanda | Vibhāsa | Vardhana | Vanānta | Vinoda
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| vimva
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DĪPAK
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Kusuma | Kusum (?) | Rāma | Kuntala | Kalinga | Vahula | Campaka | Hema
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ŚRĪ-RĀGA
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SaindhavaMālava Gouda Gambhīra Guna- Vigaḍa Kalyāṇa Gaḍa sāgara
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MEGHA-RĀGA
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Nāga Kanhāro Sāranga Kedāra Goda Mallāra Jalandhara Śankara
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Note: Only two sons are assigned to Mālkos, viz. Nandan and Khokar.
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APPENDIX 31.
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CLASSIFICATION OF RĀGAS.
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According to Bramhā. This name is more or less a mythical shadow, in Indian musical literature. According to old traditions, to Bramhā is ascribed the musical lore known under the title of Gandharva Veda Sāram. In the Sangīta makaranda of Nārada (G. O. S., Vol. XVI, p. 13, verse 18) Bramhā is mentioned as an ancient authority. But no authenticated work that could be ascribed to this author has yet been traced. The system of classification of melodies current under his name, is probably the opinion of some later authorities who ascribe it to Bramhā, in order to gain prestige and respectability. His system is followed by several authors.
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BHAIRAVA
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Bhairavī Gujjarī Rāmakelī Guṇakelī Saindhavī Vangālī
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ŚRĪ-RĀGA
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Mālaśrī Trivanī Gourī Kedārī Madhu- Pahāḍī mādhavī
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MEGHARĀGA
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Mallārī Souraṭī Sāverī Kouśikī Gāndhāri Haraśṛngārī [Figure: VASANTA Desî | Devagiri | Varāṭî | Toḍî | Lalitā | Hindolî]
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[Figure: PANCAMA-RĀGA Vibhāṣā | Bhūpālî | Karnāṭî | Vadha-hamsikā | Mālavî | Paṭaman-jarî]
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[Figure: NATA-RĀGA Kāmodî | Kalyāṇî | Ābhirî | Nātikā | Sārangî | Hamvîra]
Linked texts (1)
- Saṅgītamakaranda — Nārada, Sanskrit