[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c15.s2 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s2: Appendix 2 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s2 - **Language:** English ### Appendix 2 ### [c15.s2.1](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.1) The Eighteen Jātis (modes) ### [c15.s2.2](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.2) According to Bharata’s Nātya-Śāstra, C, 3rd Century A D (Chapter 28, Verses 41-45.) ### [c15.s2.3](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.3) | Sadja-grāma. | Madhyama-grāma. | | | Sādjī (or Sādjā) | Gāndhārī (or Gāndhārā) | Madhyamodīcyavā. | | Ārsabhī | Madhyamā | Nandayantī. | | Dhaivatī | Pancamī | Karmāravī. | | Nisādinī (or Nisādavatī) | Gāndhārodīcyavā | Āndhrī. | | Sadjodīcyavatī or Odicyavā) | Gāndhāra-Pancamī | Kaiśikī. | | Sadja-Kaiśikī | Rakta-Gāndhārī | | | Sadjamadhyā (or madhyamā) | | | ### [c15.s2.4](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.4) Eleven Composite Jātis ### [c15.s2.5](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.5) (Chapter 28, Verses 48-54) ### [c15.s2.6](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.6) | Names | Component Jātis. | | 1. Sadja-Madhyamā | Sādjī, Madhyamā | | 2 Sadja-kaisikī | Gāndhārī. Sādjī | | 3 Sadjodīcyavā | Sādjī, Gāndhārī, Dhaivatī | | 4 Gāndhārodīcyavatī | Sādjī, Gāndhārī, Pancamī (Madhyama, G), Dhaivatī | | 5. Madhyamodīcyavā | Gāndhārī, Pancamī, Madhyamā, Dhaivatī, | | 6 Rakta-Gāndhārī | Gāndhārī, Pancamī, Nisādī | | 7. Āndhrī | Gāndhārī, Ārsabhī | | 8 Nandayantī | Ārsabhī, Pancamī, Gāndhārī | | 9. Karmāravī | Nisādī, Ārsabhī, Pancamī\* | | 10 Gāndhārapancamī | Gāndhārī, Pancamī | | 11 Kaisikī | Sādjī, Gāndhārī, Madhyamā, Pancamī, Nisādī. | ### [c15.s2.7](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.7) \* “Karmāravīm nisādī sārsabhī pancamī kuryuh” 53 ### [c15.s2.8](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.8) Classification or Jātis, according to the number of their notes (svaras). ### [c15.s2.9](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.9) (Chapter 28, Verses 57-64) ### [c15.s2.10](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2.10) | | 4 Sampūrna (Hepta-tonic) | 4 Sādva (Hexa-tonic) | 10 Audava (Penta-tonic) | | Sadja-grāma. | 1 Sadja-kaisikī | 1 Sādjī | 5 { Ārsabhī, Dhaivatī, Nisādī, Sadja-madhyamā, Sadjodīcyavatī } | | Madhyama-grāma | 3 { Karmāravī, Gāndhāra-pancamī, Madhyamodīcyavā } | 3 { Gāndharodīcyavā, Ārdhrī, Nandayantī } | 5 { Gāndhārī, Rakta-gāndharī, Madhyamā, Pancamī, Kaisikī } | ## Cites (1) - [Nāṭyaśāstra](https://indike.org/pramana/in.art.natya.bharata.natyasastra) — Bharata, Sanskrit --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c15.s2](https://indike.org/pramana/ins.art.gangoly-1935.c15.s2) · Pramāṇa