Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s5: Appendix 5
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s5
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Appendix 5
c15.s5.1
CLASSIFICATION OF RĀGAS
c15.s5.2
into six rāgas & thirty-six rāginīs
c15.s5.3
According to Mammata (ācārya), author of *Sangita-ratna-mālā* as, cited in *Sangīta-nārāyaṇa*. Some scholars identify Mammata, the author of this musical text, with Mammat, the great authority on poetics, author of *Kāvya-prakāśa*, who flourished about the eleventh century A.D
c15.s5.4
1. KARNĀTA
c15.s5.5
| 1. Vand-hanī (?) | 2. Māla-vaśrī | 3 Sindhu | 4. Velā-valī | 5. Prapā-unī (?) | 6. Vibhāsā |
c15.s5.6
2. NĀTA
c15.s5.7
| 1 kām-bhojī | 2 Nāta-bhāsā | 3 Tudīkā | 4 Guna-manjarī (?) (-Guna-kriyā (?)) | 5. Sekharī | 6 Mukharī |
c15.s5.8
3 (MEGHA)-MALLĀRA
c15.s5.9
| 1 Mallārī | 2 Lalitā | 3. Pata-manjarī | 4 Madhu-kī | 5 Bhāsa-kārī | 6 Deśī |
c15.s5.10
4 DEŚĀKH
c15.s5.11
| 1. Gun-jarī (-Gujjarī ?) | 2. Rāma-kirī | 3 Gunda-kirī | 4. Suto-dikā | 5. Dhānasī | 6 Varātī |
c15.s5.12
5. MĀLAVA
c15.s5.13
| 1. Śivi (?) | 2. Kedāra | 3. Mesa-mā (?) | 4. Jīvikā | 5. Kandu-sutā (?) | 6. Travanā |
c15.s5.14
6. VASANTA
c15.s5.15
| 1. Bhairavī | 2. Regahārī (?) (-Revaguptā ?) | 3. Megha-tālī | 4. Supancamī | 5. Amvā-toji (?) (-Ambhojī ?) | 6. Totka (?) (-Tanka) |
c15.s5.16
(The absence of the Bhairava rāga, and the ascription of Bhairavī to the group of Vasanta lend an early date to this scheme.)
Linked texts (2)
- Kāvyaprakāśa — Mammaṭa & Alaṭa, Sanskrit
- Saṅgītanārāyaṇa — Gajapati Vīrasrī Nārāyaṇadeva 1675, Sanskrit