Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s6: Appendix 6
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s6
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Appendix 6
c15.s6.1
CLASSIFICATION OF RĀGAS
c15.s6.2
According to Nātya-locana (circa 850-1000 A D) into three groups of Śuddha, Salamka & Sandhi (? Samkīrna) rāgas.
c15.s6.3
(Ms No. 111, E. 158, in the Collection of the Asiatic Society of Bengal)
c15.s6.4
ŚUDDH RĀGAS
c15.s6.5
| 1. Pancama-Mālava | 5. Velāvalī |
| 2. Mādhavārī (?) | 6. Todī |
| 3. Hindola | 7. Gāndhāra |
| 4. Mālasikā | 8. Nāta |
c15.s6.6
ŚĀLAMKA-RĀGAS
c15.s6.7
| 1. Lalita | 5. Gurjjarī | 9. Goundakirī | 13. Rāmakirī |
| 2. Nārada-Bhairavi | 6. Koda-Deśāg | 10. Varādī | 14. Sālamka |
| 3. Bhāsa | 7. Deśa-Varāṭī | 11. Vangāla | 15. Deśāga |
| 4. Vasanta | 8. Vicitrā | 12. Karnāta | 16. Mālava-rāga |
c15.s6.8
SANDHI-RĀGAS
c15.s6.9
1. Mallāra
2. Pathamanjarī
3. Dhanāsī
4. Kakubhā (?)
5. Himakirī
6. Savarī
7. Divādī
8. Khamvāvatī
9. Takka
10. Kāmoda
11. Devakirī
12. Loungirātī (?)
13. Motakī
14. Bhallāta
15. Vāhedī
16. Gunakirī
17. Kokīrikā
18. Madhukirī
19. Goudī
20. Anunī