Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s7: Appendix 7
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s7
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Appendix 7
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CLASSIFICATION OF RĀGAS
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According to King Nānyadeva's Sarasvatī-Hrdayālaṃkāra (circa 1097 to 1154 A D.) available in a single Ms in the collection of the Bhandarkar Oriental Research Institute, Poona (No. 111 of 1869-70). The author mentions a class called Root-rāgas (mūla-rāga) Unfortunately, he does not specify them.
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He gives full descriptions and notations of numerous rāgas, under three groups of ‘Sadja-grāma, Madhya-grāma and Gāndhāra-grāma
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6 GITĪS
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Śuddha Bhinna Gouda Vesara Sādhārana
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8 PRINCIPAL BHĀSĀS
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Mālava- Vesari Desākhya Mālava Sourāstrī Saindhavī Svarākya Madhya-deha (?) Pancama- laksita (?)
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AN ALTERNATIVE LIST OF
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10 BHĀSĀS.
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Bhammāni Bhairavī Hindolī Sāverī Varātī Āndhālī Madhukarī Pourālī Pallavī Ghantārava
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BHINNA-GÎTIS
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Bhinna-kaśika | Bhinna- madhyama | Bhima-sadja
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Gounda-Gîtis
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Andha-Gouda | Gouda | Kaiśika-Madhyama | Gouda-Pancama
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SĀDHĀRAṆA-GÎTIS
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Reva-Gupta | Bhammāna-Pancama | Rūpa-Sādhārita
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ANTARA-BHĀṢĀ
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Protākhya | Bhasalî | Tānod-bhava | Madhurî (?) | Sālavāhunî
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KRIYANGA (EARLIEST LIST)
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Kumuda-Krti | Hanu- Krti | Śiva- Krti | Nāma- Krti | Kumuda-Kıti | Rāma-Krti
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KRIYĀNGA (LATER LIST).
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Deva- Krti | Dāmva- Krti | Tri-Netra- Krti | Bhāva- Krti | Dhānya- Krti