Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c3: Contents

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c3

Language: English

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INTRODUCTION Characteristics of Indian Melodies—Definitions .. .. 1-8

HISTORY OF THE RĀGAS Vedic traditions,—Rāmāyaṇa,—Bharata: Nāṭya-śāstra—Hari-vaṁśa,—Kuḍumiyamalai Inscription,—Pañca-tantra,—Matanga: Bṛhadeśi,—Abhilāsārthacintāmaṇi,—Saṅgīta-makaranda,—Pañcama sāra-saṁhitā,—Nāṭya-locana,—old Bengali Buddhist songs,— Kālikā-purāṇa,—Sarasvatī-Hṛdayā-laṁkāra,—Śārṅgadeva: Saṅgīta-Ratnākara,—Saṅgīta-Samayasāra,—Rāgārṇava,—Śubhaṁkara: Saṅgāna-sāṅgara,—Jyotirīśvara: Varṇaratnākara,—Amir Khusrau,—Śārṅgadhara-paddhati,—Locana Kavi: Rāga-taraṅginī, — Nārada: Pancamasāra-saṁhitā, — Kṛṣṇa-Kirtana by Caṇḍīdās,—Rāṇā Kumbha: Saṅgīta-rāja,—Kṣema Karṇa: Rāga-Mālā,—Mānkutūhala,—Svara-mela-Kalā-nidhi—Tan Sena — Puṇḍarīk Viṭṭhala: Sadrāga-Candrodaya,—Rāgamālā, — Rāgamañjarī,—Cattvāriṁśacchata-rāganirūpaṇam,—Somanātha: Rāga-vivodha,—Dāmodara Miśra: Saṅgīta-darpaṇa,—Govinda Dikṣit: Saṅgīta-sudhā,—Hṛdaya Nārāyaṇa: Hṛdaya-Kautuka, — Veṅkaṭamakhi: Caturdaṇḍi-prakāśikā, — Ahovala: Saṅgīta-Pārijāta, — Bhāvabhaṭṭa: Anūpa-saṅgīta-vilāsa, — Anūpa-saṅgīta-ratnākara — Anūpa-saṅgīt-āṅkuśa, — Saṅgīta-Nārāyaṇa by Puruṣottam Miśra,—Saṅgīta-Sārāmṛtoddhāro by Tulājī,—Saṅgītasāra by Mahārāja Pratāpa Siṁha,—Nagamat-e-Asaphi by Muhammad Rezza Khan,—Saṅgīta-rāga-Kalpadruma by Kṛṣṇānanda Vyāsa, — Saṅgītasāra-Saṁgraha by Sir S. M. Tagore,—Śrīmat-Lakṣa-Saṅgītam and Abhinava-rāga-mañjarī by Pandit Bhāt-Khande,—Dr. Rabindranath Tagore .. .. .. .. 9-69

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RĀGAS AND RĀGINĪ Nomenclature of Melodies .. .. .. .. 70-79

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TIME-THEORY Time-Table—Classification of Rāgas .. .. .. 80-95

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RĀGĀMĀLĀ TEXTS SANSKRIT TEXTS: Sanskrit Rāgamālā texts,—Kohala,—Rāga-Kutūhala, — Rāga-Sāgara, — Pañcama-sāra-saṃhitā, — Rāga-Mālā by Meṣa-Karṇa, — Nṛpa, — Rāgamālā by Viṭhthala, — Cattvāriṃśac-chata-rāga-nirūpaṇam, — Rāga-vivoda, — Saṅgita-Darpaṇa, — Bhāvabhaṭṭa, — Saṅgita-mālā, — Rāga-Kalpadruma, — Tagore's Saṅgita-sāra-saṃgraha .. ..

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HINDĪ TEXTS: Hindī Rāgamālā Text, — Harivallabha, — Earlier Hindī Texts, — Lachiman, — Deo-Kavi, — Anonymous Text, British Museum — Lāl Kavi, — Peary, Raṅgalāl,—Vrajanāth, —Paidā, — Anonymous text, — Rāga Kutūhala by Kavi Radha Krishna, — Gaṅgādhara, — Saṅgīta-sār, — Diwan Lachiram's Bhuddi-prakāś-Darpan, — Saṅgita-sudarśana, — Chunni Lālji's Nād-vinod, — Bhānu Kavi .. ..

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PERSIAN TEXTS: Persian Rāgamālā Album, — Rāgamālā with Persian Inscriptions .. .. ..

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BENGALI TEXT: Rādhāmohun Sen's Saṅgita-Taraṅga .. 105-150

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PICTORIAL MOTIFS: Skeleton Drawings,—Sources of Pictorial Motifs,—Visualization of Music in Europe .. .. .. 151-156 CRITICISM . . . . . 157-161 LIST OF MUSICAL TEXTS .. .. .. .. 162-165 SELECTED BIBLIOGRAPHY .. .. .. .. 167-174 APPENDICES . . . . . 175-222