[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c5.12 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.12 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.12 - **Language:** English ### [c5.12](https://indike.org/pramana/ins.art.gangoly-1935.c5.12) A secod definition ascribed to Bharata and quoted in the Saṅgīta Nārāyaṇa (circa 1750) is somewhat more subjective and vague. - [Previous: c5.11](https://indike.org/pramana/ins.art.gangoly-1935.c5.11) - [Next: c5.13](https://indike.org/pramana/ins.art.gangoly-1935.c5.13) - [Up: c5](https://indike.org/pramana/ins.art.gangoly-1935.c5) ## Cites (1) - [Saṅgītanārāyaṇa](https://indike.org/pramana/in.art.sangita.sangraha.pracina-paurava.sangitanarayana) — Gajapati Vīrasrī Nārāyaṇadeva 1675, Sanskrit --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c5.12](https://indike.org/pramana/ins.art.gangoly-1935.c5.12) · Pramāṇa