[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c5.34 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.34 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.34 - **Language:** English ### [c5.34](https://indike.org/pramana/ins.art.gangoly-1935.c5.34) (1) It is sometimes believed that a \*vivādī\* note is to be avoided, and is absent in a rāga. This is not correct. A \*vivādī\* note is occasionally introduced to demonstrate its dissonant character in the scheme of a particular melody. - [Previous: c5.33](https://indike.org/pramana/ins.art.gangoly-1935.c5.33) - [Next: c5.35](https://indike.org/pramana/ins.art.gangoly-1935.c5.35) - [Up: c5](https://indike.org/pramana/ins.art.gangoly-1935.c5) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c5.34](https://indike.org/pramana/ins.art.gangoly-1935.c5.34) · Pramāṇa