[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c5.6 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.6 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.6 - **Language:** English ### [c5.6](https://indike.org/pramana/ins.art.gangoly-1935.c5.6) “Samaśrutiśca samvādi pañcamasya samaḥ kvasit”=‘The samvādi note has similar quarter-tones (śruti) as the vādi note, or according to some, is equal to the fifth note.’ ‘Vivādi is a note situated at a distance of two Śrutis from the vādi note, e.g. gāndhāra (c) and nikhāda. (c). The other notes are anuvādi. - [Previous: c5.5](https://indike.org/pramana/ins.art.gangoly-1935.c5.5) - [Next: c5.7](https://indike.org/pramana/ins.art.gangoly-1935.c5.7) - [Up: c5](https://indike.org/pramana/ins.art.gangoly-1935.c5) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c5.6](https://indike.org/pramana/ins.art.gangoly-1935.c5.6) · Pramāṇa