[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c5.9 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.9 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.9 - **Language:** English ### [c5.9](https://indike.org/pramana/ins.art.gangoly-1935.c5.9) ‘Of the notes, vādi is the king, sāmvādi is the minister, vivādi is the enemy, anuvādi is in the position of a vassal.’ The vādi note is translated by some as the ‘regnal’ note. - [Previous: c5.8](https://indike.org/pramana/ins.art.gangoly-1935.c5.8) - [Next: c5.10](https://indike.org/pramana/ins.art.gangoly-1935.c5.10) - [Up: c5](https://indike.org/pramana/ins.art.gangoly-1935.c5) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c5.9](https://indike.org/pramana/ins.art.gangoly-1935.c5.9) · Pramāṇa