<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/ins.art.gangoly-1935.c6.221 -->

[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.221

# Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.221

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.221

- **Language:** English

### [c6.221](https://indike.org/pramana/ins.art.gangoly-1935.c6.221)

According to this authority, Mālava-gauda rāga is appropriate in anecdotes of ‘love in separation,’ and for descriptions of gods.

- [Previous: c6.220](https://indike.org/pramana/ins.art.gangoly-1935.c6.220)
- [Next: c6.222](https://indike.org/pramana/ins.art.gangoly-1935.c6.222)
- [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6)

---
Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.221](https://indike.org/pramana/ins.art.gangoly-1935.c6.221) · Pramāṇa
