[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.25 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.25 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.25 - **Language:** English ### [c6.25](https://indike.org/pramana/ins.art.gangoly-1935.c6.25) were in existence already before Bharata summarised them in his sections devoted to music, is proved by sifinificant allusions in the \*Harivaṃśa\*, (which is regarded as a supplement to the \*Mahābhārata\*) and is ascribed to about 300 A.D.¹ - [Previous: c6.24](https://indike.org/pramana/ins.art.gangoly-1935.c6.24) - [Next: c6.26](https://indike.org/pramana/ins.art.gangoly-1935.c6.26) - [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6) ## Cites (2) - [Mahābhārata](https://indike.org/pramana/in.lit.mahabharata.vyasa) — Vyāsa, Sanskrit - [Harivaṃśa](https://indike.org/pramana/in.lit.mahabharata.harivamsa) — Vyāsa, Sanskrit --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.25](https://indike.org/pramana/ins.art.gangoly-1935.c6.25) · Pramāṇa