[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.26 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.26 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.26 - **Language:** English ### [c6.26](https://indike.org/pramana/ins.art.gangoly-1935.c6.26) ¹ The date 200 A.D. has been assigned to the \*Harivaṃśa\* on the ground of the occurrence of the word \*dināra\*. See Hopkins, \*Great Epic of India\*, p. 387; Winternitz, \*A History of Indian Literature\* (Cal. Ed. Vol. I, 1927, p. 464) remarks "We may assume that it did not come into existence very long before the 4th century A.D." R. G. Bhandarkar (\*Vaisnavism\*, p. 36) assigns it to "about the third century of the Christian era." - [Previous: c6.25](https://indike.org/pramana/ins.art.gangoly-1935.c6.25) - [Next: c6.27](https://indike.org/pramana/ins.art.gangoly-1935.c6.27) - [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6) ## Linked texts (1) - [Harivaṃśa](https://indike.org/pramana/in.lit.mahabharata.harivamsa) — Vyāsa, Sanskrit --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.26](https://indike.org/pramana/ins.art.gangoly-1935.c6.26) · Pramāṇa