<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/ins.art.gangoly-1935.c6.281 -->

[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.281

# Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.281

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.281

- **Language:** English

### [c6.281](https://indike.org/pramana/ins.art.gangoly-1935.c6.281)

characterized them as “Persian” and recognized that they are “the gift from others” (parada). They are sixteen in number and are known as: Rahāyī, Niśāvar, Māhura, Jaṅgula, Māhaṅ(?), Vārā, Sunhath, Irāya, Husenī, Yaman, Sarpardā, Vākhreja, Hijejaka, and Muśak.

- [Previous: c6.280](https://indike.org/pramana/ins.art.gangoly-1935.c6.280)
- [Next: c6.282](https://indike.org/pramana/ins.art.gangoly-1935.c6.282)
- [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6)

---
Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.281](https://indike.org/pramana/ins.art.gangoly-1935.c6.281) · Pramāṇa
