[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.294 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.294 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.294 - **Language:** English ### [c6.294](https://indike.org/pramana/ins.art.gangoly-1935.c6.294) This scheme differs from that of the 20 melas of Rāmāmātya’s \*Svarakalānidhi\* not only in the additional five melas, Bhairava, Mallāra, Kalyāna, Śuddha-vasanta and Hammīra, but we also miss in Somanāth’s list—the rāgas Hindola, and Hejujji. Bhairava is sometimes accepted in place of Mālava-gauḍa.⁴ - [Previous: c6.293](https://indike.org/pramana/ins.art.gangoly-1935.c6.293) - [Next: c6.295](https://indike.org/pramana/ins.art.gangoly-1935.c6.295) - [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.294](https://indike.org/pramana/ins.art.gangoly-1935.c6.294) · Pramāṇa