[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.301 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.301 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.301 - **Language:** English ### [c6.301](https://indike.org/pramana/ins.art.gangoly-1935.c6.301) This list is quite distinct from the system of six rāgas and thirty-six rāgiṇīs. The author cites two different systems of ‘six-rāgas’, one according to the school of Hanumān, and the other according to the view of Rāgārṇava. He also cites the view of Someśvara on the time-theory of the melodies. The chapter ends with a series of descriptions of the six rāgas, and thirty rāgiṇīs, according to the school of Hanumān, together with prayer-formulas (dhyānas) for each of the melodies described. The prayer-formulas of some of the uparāgiṇīs,not given elsewhere, are cited by the author. - [Previous: c6.300](https://indike.org/pramana/ins.art.gangoly-1935.c6.300) - [Next: c6.302](https://indike.org/pramana/ins.art.gangoly-1935.c6.302) - [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.301](https://indike.org/pramana/ins.art.gangoly-1935.c6.301) · Pramāṇa