[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.323 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.323 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.323 - **Language:** English ### [c6.323](https://indike.org/pramana/ins.art.gangoly-1935.c6.323) Passing over the short Hindī treatise of Deo-kavi (c 1673 A D.), mostly of iconographic interest, we come to a very interesting group of texts: Anūpa-saṅgīta-vilāsa, Anūpa-saṅgīta-ratnākara and Anūpa-saṅgī-tāṅkuśa, all composed by Bhavabhaṭṭa under the patronage of Raja Anūp Singh (1674-1701 A.D.) of Bikanir. This group of texts⁴ is of great interest - [Previous: c6.322](https://indike.org/pramana/ins.art.gangoly-1935.c6.322) - [Next: c6.324](https://indike.org/pramana/ins.art.gangoly-1935.c6.324) - [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.323](https://indike.org/pramana/ins.art.gangoly-1935.c6.323) · Pramāṇa