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# Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.344

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.344

- **Language:** English

### [c6.344](https://indike.org/pramana/ins.art.gangoly-1935.c6.344)

A pretentious treatise compiled during the early part of the 19th century, and printed in 1842 we owe to a musical expert Kṛṣṇānanda Vyāsa, a Gauḍa Brahmin from a village in Udaipur. It is an encyclopædia in Sanskrit of songs collected from different parts of India and published under the title Saṅgīta-rāga-kalpadruma.¹ It also deals with dancing and drumming and rhythm. It is hardly an original contribution to music and merely summarises the works of previous text-writers. In the section on rāgas the author follows the \*Sangīta-darpaṇa\* basing his classification on the School of Hanumān. He describes the 36 melodies and quotes the prayer-formulas as cited in the \*Sangīta-darpaṇa\*. As an anthology of old songs, both in Hindi and Persian, which are collected under different melodies, the work is of great value, the materials having been collected during a period of 32 years, from a wide field of researches.

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## Cites (1)

- [Saṅgītarāgakalpadruma](https://indike.org/pramana/in.art.sangita.sangraha.pracina-paurava.sangitaragakalpadruma) — Kṛṣṇānanda Vedavyāsa alias Rāgasāgara 1800, Sanskrit

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Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.344](https://indike.org/pramana/ins.art.gangoly-1935.c6.344) · Pramāṇa
