[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.346 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.346 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.346 - **Language:** English ### [c6.346](https://indike.org/pramana/ins.art.gangoly-1935.c6.346) The compilation of Raja Sir Sourindra Mohun Tagore, (one of the greatest connoisseurs and patrons of Indian Music) under the title of \*Sangīta-sāra-saṃgraha\*¹ and published in Samvat 1932 (1875 A.D.) offers the latest study on the old Sanskrit musical texts. His chief sources are the text of \*Sangīta-ratnākara\*, \*Sangīta-dāmodara\*, and \*Sangīta-darpaṇa\*. His work is of great interest for the collection of prayer formulas (\*dhyānas\*) of rāgas according to the three schools. - [Previous: c6.345](https://indike.org/pramana/ins.art.gangoly-1935.c6.345) - [Next: c6.347](https://indike.org/pramana/ins.art.gangoly-1935.c6.347) - [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.346](https://indike.org/pramana/ins.art.gangoly-1935.c6.346) · Pramāṇa