[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c6.36 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.36 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.36 - **Language:** English ### [c6.36](https://indike.org/pramana/ins.art.gangoly-1935.c6.36) Anyhow, the grāma-rāgas of Bharata are referred to and described in the Nāradīyā Śikṣā,¹ under the names of “Niṣāda-Khāḍava”, “Pañcama”, “Madhyama-grāma”, Ṣaḍja-grāma”, “Sādhāritam”, “Kaiśikam”, and “Kaiśika-madhyama’. The two last named melodies are described as follows: - [Previous: c6.35](https://indike.org/pramana/ins.art.gangoly-1935.c6.35) - [Next: c6.37](https://indike.org/pramana/ins.art.gangoly-1935.c6.37) - [Up: c6](https://indike.org/pramana/ins.art.gangoly-1935.c6) ## Cites (1) - [Nāradīyāśikṣā](https://indike.org/pramana/in.vedanga.siksa.siksa.samaveda.naradiya) — Nārada, Sanskrit --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c6.36](https://indike.org/pramana/ins.art.gangoly-1935.c6.36) · Pramāṇa