[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c7.43 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c7.43 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c7.43 - **Language:** English ### [c7.43](https://indike.org/pramana/ins.art.gangoly-1935.c7.43) in the temple. Kānaḍā came to be associated with the cult of Kṛṣṇa (Kānar, the Hindī-prākṛta form of Kṛṣṇa). The more significant example of a melody associated with Vaiṣṇava worship is the Naṭṭa-Nārāyaṇa (the ‘Dancing Viṣṇu’). - [Previous: c7.42](https://indike.org/pramana/ins.art.gangoly-1935.c7.42) - [Next: c7.44](https://indike.org/pramana/ins.art.gangoly-1935.c7.44) - [Up: c7](https://indike.org/pramana/ins.art.gangoly-1935.c7) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c7.43](https://indike.org/pramana/ins.art.gangoly-1935.c7.43) · Pramāṇa