[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c7.49 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c7.49 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c7.49 - **Language:** English ### [c7.49](https://indike.org/pramana/ins.art.gangoly-1935.c7.49) With the name of Miyān, Tānsen, the famous Court-musician of Akbar, are associated two melodies: ‘Miyān-ki-mallār’ and ‘Darbārī’. Likewise ‘Vilāskhānī-Toḍī’ has been ascribed to Vilās Khan who has been identified as one of the sons of Tānsen. - [Previous: c7.48](https://indike.org/pramana/ins.art.gangoly-1935.c7.48) - [Next: c7.50](https://indike.org/pramana/ins.art.gangoly-1935.c7.50) - [Up: c7](https://indike.org/pramana/ins.art.gangoly-1935.c7) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c7.49](https://indike.org/pramana/ins.art.gangoly-1935.c7.49) · Pramāṇa