[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c7.51 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c7.51 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c7.51 - **Language:** English ### [c7.51](https://indike.org/pramana/ins.art.gangoly-1935.c7.51) Bungling copyists have contributed their share to the confusion of names. Thus Paṭa-mañjarī, before it emerged in its present form, passed through the following stages, Prathama-mañjarī (Saṅgīta-makaranda, p. 19), Phala-mañjarī, Prati-mañjarī (Rāgārṇava). - [Previous: c7.50](https://indike.org/pramana/ins.art.gangoly-1935.c7.50) - [Next: c7.52](https://indike.org/pramana/ins.art.gangoly-1935.c7.52) - [Up: c7](https://indike.org/pramana/ins.art.gangoly-1935.c7) ## Cites (1) - [Saṅgītamakaranda](https://indike.org/pramana/in.art.sangita.prachina.sangitamakaranda) — Nārada, Sanskrit --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c7.51](https://indike.org/pramana/ins.art.gangoly-1935.c7.51) · Pramāṇa