[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c8.32 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.32 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.32 - **Language:** English ### [c8.32](https://indike.org/pramana/ins.art.gangoly-1935.c8.32) The Śuddha-nāṭa offers some difficulties. In the \*Sadrāga-candrodaya\* (p. 18) it is assigned to the middle of the day² while in the \*Rāgamālā\* (p. 22), it is assigned to the evening.³ Likewise, Bhūpālī, considered as an evening melody in current practice is assigned in the \*Sadrāga-candrodaya\* to the morning.⁴ Similarly, Bhairavī regarded as a morning melody (\*prabhāte\*) in the \*Rāgamālā\* is assigned to all hours in the \*Sadrāga-candrodaya\*.⁵ - [Previous: c8.31](https://indike.org/pramana/ins.art.gangoly-1935.c8.31) - [Next: c8.33](https://indike.org/pramana/ins.art.gangoly-1935.c8.33) - [Up: c8](https://indike.org/pramana/ins.art.gangoly-1935.c8) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c8.32](https://indike.org/pramana/ins.art.gangoly-1935.c8.32) · Pramāṇa