[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c8.35 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.35 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.35 - **Language:** English ### [c8.35](https://indike.org/pramana/ins.art.gangoly-1935.c8.35) Early morning: Mallārī, Velāvalī, Sāverī. Morning: Lalita, Dhannyāsī, Nārāyanī, Karnāta-Vangāla, Vasanta-Bhairavī, Bhūpalī. Former part of the day (\*pūrva-yāme\*): Deśākṣī, Baulī Gauṇḍakriyā. Afternoon: Śudda-rāma-kriyā. Latter part of the day (\*paścime-yāme\*): Naṭī, Sāraṅga-naṭa, Bhairavī, Karnāta-gauda, Hejujji Madhyamādi, Revaguptī. Fourth or last part of the day (\*carame-yāme\*): Sāmanta, Śuddha-Vasanta, Kedāra-Gauḍa, Nāda-rāma-kriyā, Pāḍī. Evening: Mālava-Gauḍa, Śrī-rāga, Kambhojī, Rīti-Gauḍa, Saurāstra, Sung at all hours (\*sarva-yāme\*): Varālī, Mukhārī Mālava-Śrī, Hindola, Sāmavarālī, Nāgadvani, Soma-rāga, Ghaṇṭārava, Bhinna-ṣadja. - [Previous: c8.34](https://indike.org/pramana/ins.art.gangoly-1935.c8.34) - [Next: c8.36](https://indike.org/pramana/ins.art.gangoly-1935.c8.36) - [Up: c8](https://indike.org/pramana/ins.art.gangoly-1935.c8) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c8.35](https://indike.org/pramana/ins.art.gangoly-1935.c8.35) · Pramāṇa