[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c8.47 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.47 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.47 - **Language:** English ### [c8.47](https://indike.org/pramana/ins.art.gangoly-1935.c8.47) the Rāgas beginning with Bahulī, in the afternoon; the Rāgas beginning with Saurāṣṭra, in the evening; the Rāgas beginning with Suddha-nāṭa, in the dusk, and the Rāgas beginning with Karnāṭa, in the night. And finally the following Rāgas may be sung always:—Mālā-śrī, Dhavala, Mukhārī, Rāmakriyā, Pāvakā, Saindhavī, Āsāvarī, Gāndhāra, Māravī and Paraja. The above-mentioned Rāgas deserve to be sung successively in their respectively appointed times.” - [Previous: c8.46](https://indike.org/pramana/ins.art.gangoly-1935.c8.46) - [Next: c8.48](https://indike.org/pramana/ins.art.gangoly-1935.c8.48) - [Up: c8](https://indike.org/pramana/ins.art.gangoly-1935.c8) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c8.47](https://indike.org/pramana/ins.art.gangoly-1935.c8.47) · Pramāṇa