[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c8.74 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.74 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.74 - **Language:** English ### [c8.74](https://indike.org/pramana/ins.art.gangoly-1935.c8.74) Then followed the principle of classifying the rāgas according to structural affinity, or resemblance of note-structure. This sometimes involves grouping of similar melodies under one group, or genus, a group of rāgas. The Northern and Southern systems followed different methods, if not, different principles of classification. - [Previous: c8.73](https://indike.org/pramana/ins.art.gangoly-1935.c8.73) - [Next: c8.75](https://indike.org/pramana/ins.art.gangoly-1935.c8.75) - [Up: c8](https://indike.org/pramana/ins.art.gangoly-1935.c8) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c8.74](https://indike.org/pramana/ins.art.gangoly-1935.c8.74) · Pramāṇa