<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/ins.art.havell-1908.c10.127 -->

[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals](https://indike.org/pramana/ins.art.havell-1908) › c10.127

# Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c10.127

Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c10.127

- **Language:** English

### [c10.127](https://indike.org/pramana/ins.art.havell-1908.c10.127)

This was an incident which had actually occurred at the King’s first meeting with Sakuntala, as described in the first act of the play, and Dushyanta, led on by the vividness of the painting to imagine that the picture was reality, calls out:

- [Previous: c10.126](https://indike.org/pramana/ins.art.havell-1908.c10.126)
- [Next: c10.128](https://indike.org/pramana/ins.art.havell-1908.c10.128)
- [Up: c10](https://indike.org/pramana/ins.art.havell-1908.c10)

---
Source: [https://indike.org/pramana/ins.art.havell-1908.c10.127](https://indike.org/pramana/ins.art.havell-1908.c10.127) · Pramāṇa
