[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals](https://indike.org/pramana/ins.art.havell-1908) › c13.s8.t2.3 # Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c13.s8.t2.3 Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c13.s8.t2.3 - **Language:** English ### [c13.s8.t2.3](https://indike.org/pramana/ins.art.havell-1908.c13.s8.t2.3) The first outline was always made with Indian red (\*gairika\*—a red used by mendicants for colouring their cloths) used without gum. The finishing outlines were made with lampblack, prepared by burning a camphor wick in a mustard-oil lamp. - [Previous: c13.s8.t2.2](https://indike.org/pramana/ins.art.havell-1908.c13.s8.t2.2) - [Next: c13.s8.t2.4](https://indike.org/pramana/ins.art.havell-1908.c13.s8.t2.4) - [Up: c13.s8.t2](https://indike.org/pramana/ins.art.havell-1908.c13.s8.t2) --- Source: [https://indike.org/pramana/ins.art.havell-1908.c13.s8.t2.3](https://indike.org/pramana/ins.art.havell-1908.c13.s8.t2.3) · Pramāṇa