Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c14: Index
Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c14
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- English
Index
c14.1
Abul Fazl, *Aîn-i-Akbâri*, 192, 206 Ajanta frescoes, the, 271; school of, 164–169 Aji Sâka, 111 Akbar, and his painters, 192–196 Amarâvati, 94, 101–104, 108, 109 Amîtâbha, the Buddhist sun-god, 176 Amogha-Siddha, statue of, 28 Anderson, Dr. W., *Pictorial Arts of Japan*, 163, 186, 187, 206, 229, 230 Angkor-Vat, temple of, 80 Arnold, Sir Edwin, *The Light of Asia*, 121 Art, Indian, popular view of, 4; Anglo-Indian view of, 5, 6; Museums of, 10; Indians and, 11; degradation of, 12–22; Government schools of, 16, 17; the great epoch of, 18; characteristics of, 229, 230; future of, 235–266; psychology of, 237 Art, Hindu, keynote of, 55; the divine ideal in, 57; atmosphere of, 57 Asoka, 91, 92; as Buddhist saint, 177 Aurangzîb, the iconoclast, 13 Avalokiteshvara, the guardian deity of Tibet, 30, 73, 177 Ayodhya, city of, 179; king of, 157
c14.2
Beal, *Life of Hiuen Thsang*, 37, 38 Bell, H. C. P., *Journal R. A. S., Ceylon*, 170, 272 Benson, A. C., 242 Bhabhabhuti, *Uttara Rama Charita*, 156 “Bhagavad-Gîtâ,” 58, 59 Bharhut sculptures, the, 94 Bimbasâra, 78 Bitpâlo, 79 Blochman, 192, 206
c14.3
Bôrôbudûr, the Parthenon of Asia, 11, 110-131
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Browne, Professor E. G., *Literary History of Persia*, 181, 211
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Buddhapaksha, 78
c14.6
Burgess, Dr., 43
c14.7
Chandi Siva, Java, temple of, 73
c14.8
Coomaraswamy, Dr. A. K., 47, 252
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Davies, John, 59
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Devapâla, king, 79
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Dhîmân, 79
c14.12
Dhyâni-Buddha, 28, 175
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D'Oyley, Sir John Hadley, 233
c14.14
Duff, C. Mabel, *Chronology of India*, 79
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Dushyanta, king, 161
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Dutt, R. C., *History of Civilisation in India*, 160, 161
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Elliott, *History of India*, 215
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Ellora and Elephanta sculptures, the, 64-67, 73, 95
c14.19
Emerson, *Essay on Art*, 220
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Fergusson, *History of Indian Architecture*, 93, 95, 105, 108
c14.21
*Fresco buono*, Indian process of, 267-274
c14.22
Gandharan school, the, 41-44
c14.23
Ganguly, Surendra Nath, artist, 263
c14.24
Ghiberti, Lorenzo, 116
c14.25
Gholam, artist, 209
c14.26
Griffith, *Sunda Kanda*, 156
c14.27
Griffiths, John, *Indian Antiquary*, 164, 171; *Ajanta*, 271
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Groneman, Dr. J., 133, 135
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Grünwedel, Professor, 19; *Buddhist Art in India*, 35, 41, 42, 127, 155
c14.30
Hanna, Colonel H. B., 21
c14.31
Heeley, W. T., 76
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Hindu Art, keynote of, 55; divine ideal in, 57
c14.33
Hinduism, esoteric influences in, 81
c14.34
Hiuen Thsang, 37
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Hodgson, B., *Languages, Literature, and Religions of Nepal*, 61
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Ideal, origin of the Indian, 49, 102
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India, miniature painting in, 205; outline drawing in, 207; impressionism of, 222-225
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*Indian Antiquary*, 76
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*Indian Art*, popular view of, 4; Anglo-Indian view of, 5, 6; the degradation of, 12–22; the divine ideal in, 23–82; realism in, 24; archæologists and, 32; dilettantism and, 69; the human ideal in, 83, 84; inspiration of, 85; ethical purpose of, 131; in Europe, 184, 185; in China, 187; future of, 235; psychology of, 236–238; and British rule, 239
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Indian Society of Oriental Art, 265
c14.41
Ives, E. O., 233
c14.42
Jahangir, and his painters, 197–199
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Java, colonisation of, 111
c14.44
Jones, Sir William, his translation of *Sakuntala*, 7, 161
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*Journal of the Asiatic Society of Bengal*, 80, 144, 166
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Kâlidâsa, *Sakuntala*, 161; *Meghaduta*, 260
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Khuda Bux Library, 21
c14.48
Kinsbergen, J. van, 115, 129
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Lahore Museum, 21
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Lecoq, Dr. von, 19, 155, 163
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Leemans, Dr., 33, 34, 113
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Macpherson, Sir John, 233
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Manjusri, 61
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Mansur, Ustad, artist, 213
c14.55
*Modern Review*, 252
c14.56
Mogul miniatures, 189–191, 205
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Mongols, 181, 182, 184
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Monier-Williams, Sir M., 8, 161
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Moor, *Indian Pantheon*, 10, 34
c14.60
Muhammad Murad, Prince, 209
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Nakhon Vat, temple of, 136, 137
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Nalanda, 105–107
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Nanha, artist, 212
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Nawab Nazim of Murshidabad, 233
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*Nineteenth Century and After*, 7
c14.66
Oertel, F. O., 29
c14.67
Parera, D. A. L., 170
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Persian School, 188
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Portraiture in Indian sculpture, 138–141
c14.70
Prambanam sculpture, 134, 135
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Prasad, Ishwary, 272
c14.72
Raffles, Sir Stamford, *History of Java*, 112, 135
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Roe, Sir Thomas, 200, 201
c14.74
Rouffaer, G. P., 203
c14.75
*Sakuntala*, 7, 161, 162
c14.76
Sanchi sculptures, the, 94, 98–100, 108
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Sankaracharya, 20, 81
c14.78
Sculpture in Ceylon and Nepal, 48
c14.79
Shah Jahan, 183
c14.80
Siddartha, Prince, 118–121
c14.81
Sîgiri Rock, Ceylon, 169; frescoes of, 271
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Siva Natêsa, 70
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Smith, Vincent, *Early History of India*, 5, 91, 113, 144, 165, 173, 250
c14.84
Srong-tsan-gam-po, Tibetan king, 173
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Stables, 233
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Stein, Dr., 155
c14.87
Sudarsanâ Yakshini, 96
c14.88
Suddhodhana, king, 119
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Swami Bhaskarânanda Saraswati, 27, 45
c14.90
Tagore, Abanindro Nath, 233, 256, 259–261
c14.91
Taine, H., *Voyage en Italie*, 47
c14.92
Taj Mahal, the, 7, 92, 243, 244
c14.93
Târanâth, History of Indian Art, 76–81
c14.94
Tsao Fuh-hing, Chinese artist, 163
c14.95
Universities, ancient Indian, 105–108
c14.96
Vurma, Ravi, artist, 251, 252
c14.97
Waddell, Dr., 80
c14.98
Wilson, H. H., 156, 260
c14.99
Yasôdhara, 121
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Yoga philosophy, 36, 37
c14.101
Yogi, the, 27
c14.102
A HISTORY OF INDIAN AND EASTERN ARCHITECTURE. By the late James Fergusson, C.I.E., D.C.L., LL.D., F.R.S., Fellow of the Royal Institute of British Architects, Member of the Society of Dilettanti, etc., etc.
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Revised and Edited, with Additions.
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INDIAN ARCHITECTURE. By James Burgess, C.I.E., LL.D., F.R.S.E., late Director of the Archæological Survey of India; Hon. Associate of the Royal Institute of British Architects; Hon. Member of the Imperial Russian Archæological Society, of the American Oriental Society, etc., etc. EASTERN ARCHITECTURE. By R. Phené Spiers, F.S.A., F.R.I.B.A., Hon. and Corresponding Member of the Société Centrale des Architectes, Paris; Soc. de los Arquitectos, Madrid, etc., etc.
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INDIAN ART AT DELHI, 1903. Being the Official Catalogue of the Delhi Exhibition, 1902-1903. By Sir George Watt, C.I.E., M.B., C.M., etc., Director. The illustrative part by Percy Brown, A.R.C.A., Assistant-Director. Medium 8vo. 12s. net.
c14.106
THE HIGH-ROAD OF EMPIRE. Reproductions in Colour of 47 Water-Colour Drawings and numerous Pen-and-Ink Sketches made in India. By A. H. Hallam Murray. Dedicated by gracious permission to H.R.H. the Princess of Wales. Medium 8vo. 21s. net. Also a limited edition large paper at £2 2s. net.
c14.107
THE BOOK OF SER MARCO POLO, THE VENETIAN. Concerning the Kingdoms and Marvels of the East. Translated and Edited with Notes by the late Colonel Sir Henry Yule, R.E., C.B., K.C.S.I. Third Edition, revised by Henri Cordier (of Paris). With a Memoir of Henry Yule compiled by his daughter. With Maps and Illustrations. 2 Vols. Medium 8vo. £3 3s. net.
c14.108
HOBSON-JOBSON. Being a Glossary of Colloquial Anglo-Indian Words and Phrases and of Kindred Terms, Etymological, Historical, Geographical, and Discursive. By the late Colonel Sir Henry Yule, R.E., C.B., and the late Arthur Coke Burnell, Ph.D., C.I.E. Second Edition, thoroughly revised by William Crooke, B.A. Demy 8vo. 28s. net.
c14.109
THE IDEALS OF THE EAST. With special reference to the Art of Japan. By Okakura-Kakuzo. Crown 8vo. 5s. net.
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A New Edition of
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CROWE AND CAVALCASELLE'S HISTORY OF PAINTING. A History of Painting in Italy, Umbria, Florence, and Siena, from the 2nd to the 16th century. By J. A. Crowe and G. B. Cavalcaselle. With Editorial Notes by Langton Douglas, Author of "Fra Angelico," "A History of Siena," etc. 6 Vols. With upwards of 200 Illustrations. Square Demy 8vo. 21s. net each vol.
c14.112
Vol. I.—Early Christian Art. } *Now ready.* ,, II.—Giotto and the Giottesques } ,, III.—The Sienese School. ,, IV.—Florentine Painters of the Quattrocento. ,, V.—Later Sienese and Umbrians. ,, VI.—Florentine Painters of the Cinquecento.
c14.113
A HISTORY OF BRITISH WATER-COLOUR PAINTING. With a Chronological List of the Painters, with dates of Birth and Death and Brief Accounts of their Lives, etc. By H. M. Cundall, I.S.O., F.S.A. With more than 50 Coloured Illustrations. 4to. 21s. net.
c14.114
KUGLER’S HANDBOOK OF PAINTING. The Italian Schools of Painting. Sixth Edition, revised. By Sir Henry Layard, G.C.B. With nearly 250 Illustrations. 2 Vols. Demy 8vo. 30s.
c14.115
KUGLER’S HANDBOOK OF PAINTING. The German, Flemish, and Dutch Schools. Third Edition, revised. By Sir J. A. Crowe. With 60 Illustrations. 2 Vols. Crown 8vo. 24s.
c14.116
THE DRAWINGS OF THE FLORENTINE PAINTERS. Classified, Criticised, and Studied as Documents in the History and appreciation of Tuscan Art. By Bernard Berenson. With a copious Catalogue Raisonne, and 180 Facsimile Illustrations. 2 Vols. Folio. £21 net.
c14.117
LIFE AND WORKS OF VITTORIO CARPACCIO. By the late Professor Gustav Ludwig and Professor Pompeo Molmenti. Translated by R. H. Hobart Cust, Author of “Giovanni Antonio Bazzi.” With numerous Illustrations in Photogravure and Half-tone. Small Folio. £2 12s. 6d. net.
c14.118
GIOVANNI ANTONIO BAZZI (hitherto usually styled “SODOMA”). THE MAN AND THE PAINTER, 1477—1549. A Study. By R. H. Hobart Cust. With numerous Illustrations. Demy 8vo. 21s. net.
c14.119
THE SHORES OF THE ADRIATIC. An Architectural and Archæological Pilgrimage. By F. Hamilton Jackson, R.B.A. With numerous Illustrations from Photographs and Drawings by the Author. Medium 8vo. 21s. net. each.
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I. THE ITALIAN SIDE. II. THE AUSTRIAN SIDE.
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REASON IN ARCHITECTURE. Lectures delivered at the Royal Academy of Arts, 1906. By Thomas Graham Jackson, R.A., M.A., F.S.A. With many Illustrations. Medium 8vo. 10s. 6d. net.
c14.122
A HISTORY OF ANCIENT POTTERY. GREEK, ETRUSCAN, AND ROMAN. Based on Samuel Birch’s famous Work. By Henry B. Walters, M.A., Assistant in the Department of Greek and Roman Antiquities, British Museum. With numerous Illustrations. 2 Vols. Medium 8vo. £3 3s. net.
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LONDON: JOHN MURRAY, ALBEMARLE STREET, W.