[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals](https://indike.org/pramana/ins.art.havell-1908) › c7.206 # Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c7.206 Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c7.206 - **Language:** English ### [c7.206](https://indike.org/pramana/ins.art.havell-1908.c7.206) Then, when Arjuna looked, he saw a resplendent vision filling all the space between earth and heaven, glowing as a mass of light in every region, bright as the sun and vast beyond all conception. It was Something with innumerable arms, and faces turned everywhere, uniting in Its body all the gods, all men, and all created things. Even with the supernatural power bestowed upon him Arjuna was appalled by this wondrous transfiguration, and begged of Krishna to resume his milder "four-armed form." He received then the solemn warning: - [Previous: c7.205](https://indike.org/pramana/ins.art.havell-1908.c7.205) - [Next: c7.207](https://indike.org/pramana/ins.art.havell-1908.c7.207) - [Up: c7](https://indike.org/pramana/ins.art.havell-1908.c7) --- Source: [https://indike.org/pramana/ins.art.havell-1908.c7.206](https://indike.org/pramana/ins.art.havell-1908.c7.206) · Pramāṇa