[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals](https://indike.org/pramana/ins.art.havell-1908) › c8.77 # Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c8.77 Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c8.77 - **Language:** English ### [c8.77](https://indike.org/pramana/ins.art.havell-1908.c8.77) The Indian ideal which we see in process of evolution at Amarâvati was finally perfected several centuries later. The various types of it have been described in Chapters III. and IV. The next great series of sculptured reliefs in which Indian real life is vividly portrayed are those which adorned the procession path of the great Buddhist shrine of Bôrôbudûr, in Java, which may justly be styled the Parthenon of Asia. These must be dealt with in greater detail in the next chapter. - [Previous: c8.76](https://indike.org/pramana/ins.art.havell-1908.c8.76) - [Next: c9.2](https://indike.org/pramana/ins.art.havell-1908.c9.2) - [Up: c8](https://indike.org/pramana/ins.art.havell-1908.c8) --- Source: [https://indike.org/pramana/ins.art.havell-1908.c8.77](https://indike.org/pramana/ins.art.havell-1908.c8.77) · Pramāṇa