Indian Sculpture c11: Index
Indian Sculpture c11
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- English
Contents
- c11.s1 Names — 27 parts
- c11.s2 Subjects — 20 parts
Index
Names
c11.s1.1
ĀBŪ, 186. Fig. 86 Agni, 143 Aihole, 69, 72 Ajaṇṭā, 21, 49, 72, 117, 177, 189, 212. Figs. 68, 70 Ajātaśatru Pillar (Bhārhut), 24, 28, 30, 32, 151. Fig. 22 Ajmīr, 105 Allahābād, 105, 108, 109, 206 Alluru, 46 Amarāvatī, 17, 33, 35, 46, 47, 50–53, 58, 62, 74, 83, 161–163, 168, 170, 211, 212. Figs. 47–52 Āmohinī relief, 40 Anādrā, 185. Fig. 85 Ananta Gumphā, 22, 34 Anantaśāyin, see Viṣṇu Anurādhapura, 62 Ardhanārīśvara, see Śiva Arjuna's ratha, see Māmallapuram Āryan, 15, 16, 36, 148, 205, 219; non-Āryan, 15, 16, 33, 36 Āryāvarta, 60, 73, 75, 77–79, 213, 216. Aśoka, 9–11 Auraṅgābād, 83, 85
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BĀDĀMĪ, 58, 70–72, 74, 75, 79, 83, 84, 86–88, 176. Fig. 67 Bala, Friar, image of, 40 Baluchistān, 3 Bāmiyān, 144 Bāṅkurā, 192, 205. Fig. 96 Basārh (Vaiśālī), 11 Baudh, 112 Bengal, 67, 78, 99, 111–13, 115, 116, 184, 216; western, 192, 193 Besnagar (Vidiśā), 10 Bhairavakoṇḍa, 78
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Bhājā, 24, 36, 43, 68, 69, 79, 84, 127, 160. Fig. 39 Bhārhut, 5, 17, 18, 22–24, 26, 27, 29, 30, 32–34, 37–39, 47, 48, 51, 58, 62, 66, 74, 83, 117, 149–55, 158–61, 213. Figs. 15–17, 21, 22, 24, 26, 27 Bhīṭā, 205 Bhītargāon, 73 Bhūmarā, 172. Fig. 64 Bhūteśvar, 41, 155. Fig. 28 Bhuvaneśvar, 112, 194–96, 219 Brahmeśvar temple, 108, 115, 195. Figs. 101, 102 Liṅgarāja temple, 108, 115 Mukteśvar temple, 195 Paraśurāmeśvar temple, 219 Rāja-Rānī temple, 195 Rāmeśvar temple, 194. Fig. 100 Satryugneśvar temple, 220 Uttareśvar temple, 220 Bihār, 78, 99, 111–13, 115, 171, 184 Bīmarān, 45, 210 Bīkanīr, 184. Fig. 84 Bodhgayā, 17, 22, 24, 29, 33, 34, 38, 44, 50, 61, 62, 83, 149, 150, 152, 168, 169. Figs. 18–20, 54, 55 Bodhisattva, 39, 41, 61, 177, 183, 184, 193, 214 Bodhi tree, 48, 49 Brahmā, 143 Brāhmanical, 38, 72, 98, 99 Brahmeśvar temple, see Bhuvaneśvar Brahmor, 78, 116 Buddha, 6, 21, 24–26, 38–42, 45, 47, 56, 57, 60–63, 67, 72, 94, 144, 149–51, 163, 169–72, 177, 214, 218; Pacceka, 168 Buddhist, 36, 38, 45, 47, 72, 98, 99, 112
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Bulandhi Bagh (Patna), 148, 204, 205. Fig. 13 Buxar (Patna), 204, 205
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CAKRAVARTIN, 39, 62, 159 Cambā, 78, 116, 117, 196. Fig. 106 Candela, 108–11, 122 Candpur 188. Fig. 89 Candrāvatī, 187. Fig. 87 Caṣṭana, 42 Central India, 35, 44, 60, 68, 69, 73, 75, 108, 109 Central Provinces, 44, 78, 108 Chaddanta, see Jātaka Chalcolithic, 3, 127 Chārsadda, 210 Chausa, 73 Chitor, 172 Chimakurti, 200. Fig. 116 Chunar, 169 Cidāmbaram, 199. Fig. 113 Citragupta Temple, see Khajurāho Coḷa, 119 Coomaraswamy, 26
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DAH PARBATIYA (Darrang), 216 Darimukha, see Jātaka Daś Avatāra Cave, see Ellora Dekkhan, 36, 37, 60, 69, 70, 72, 73, 75, 82, 83, 85, 86, 88, 89, 105, 108, 115, 117, 118, 127, 169, 180, 181, 183, 198 Dekkhani, 77, 82, 86, 178, 180, 183 Deogarh, 173. Fig. 65 Deoriya, 204 Devāṅgaṇa (Anādrā), 185. Fig. 85 Devatā, 24; pārśva, 194; grāma, 220 Devī— Durgā: Mahiṣāsura-mardinī, 86, 172, 180, 194, 198. Figs. 64, 75, 99, 110 Gaṅgā, 78, 79, 82, 172, 178 Indrāṇī, 192. Fig. 95 Kālī, 199. Fig. 112 Lakṣmī, 21, 30, 145
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Maheśvarī, 194. Fig. 100 Māyā, 21, 33, 47, 150, 151, 194. Figs. 21, 23, 98 Pārvatī, 88, 145 Sarasvatī, 184. Fig. 84 Satyabhāmā, 200. Fig. 116 Sirimā, 28, 29, 153. Fig. 26 Dhāmek stūpa, 74, 197. Fig. 107 Dharmarāja ratha, see Māmallapuram Dharmarājikā stūpa, 162. Fig. 46 Dhārwār, 118 Dhauli, 9 Dhumar Leṇā, see Ellora Dīdargañj, 10, 145, 153–55, 157, 205. Fig. 25 Dilwāra, 186. Fig. 86 Divyāvadāna, 168 Drāviḍian, 33, 35, 128 Dūladeo temple, see Khajurāho Durgā Mahiṣāsura-mardini, see Devī
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EASTERN India, 12, 144 School, 67, 77, 78, 111–16, 184, 219 Elephanta, 36, 83, 85, 88, 127, 182. Fig. 79, 82 Ellora, 36, 82, 83, 86, 87, 104, 105, 108, 114, 180, 181. Figs. 75–78 Daś Avatāra cave, 83 Dhumar Leṇā, 83 Kailāsa-relief, 87, 88, 101, 105, 181. Fig. 78 Kailāsanātha temple, 85–87, 105, 180, 181. Figs. 76–78 Rāmeśvar cave, 83, 180. Fig. 75 Rāvaṇa kā Khai, 83
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GAHAPATI, see Jātaka Gaṇa, 66, 157, 163, 174, 175, 177, 178, 195 Gaṇeśa, 143, 197 Gumphā, 44 Gandhāra, 40, 42, 44, 45, 57, 74, 116, 144. Fig. 46 Gandharva, 157, 159, 171, 172, 178, 184, etc. Gaṅgā, see Devī Gaṅgādhara mūrti, see Śiva Ganges valley, 9, 12, 16
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Garhwā, 60, 65, 108, 171. Figs. 56–58 Garuḍa, 163, 183 Goli, 46, 52, 168, 212. Fig. 53 Goṇḍ, 220 Gramā devatā, see Devatā Greek, 4, 50, 144, 171 Guḍimallam, 24, 34, 35, 159, 170. Fig. 36 Gujarāt, 105, 186 Gujarātī, 105, 120 Gumadidurru, 46, 211 Gupta, 59, 60, 63, 70, 72–74, 77, 78, 82, 84, 106, 111, 112, 116, 216 Gurjāra, 103 Gwālior, 44, 67, 171
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HAIHAYA, 108-111 Haṃsa, 184, 196 Halebid, Hoysaḷeśvara temple, 197 198. Figs. 109, 111 Harappa, 3, 7, 11, 115, 127, 143, 145–147. Figs. 1, 3, 5 Harasnāth 188. Fig. 88 Hasta-- Tarjanī, 153 Puṣpa, 174 Hazāra Rāma temple (Vijayanagar), 200. Fig. 114 Hellenic, 46, 171, see also Greek Hellenism, 11, 39, 45, 46, 116 Hellenistic, 44, 46, 144 Himālayan sculpture, 116, 117 Hyderābād, 118
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INDRA, 36, 68, 157 Indrāṇī, see Devī Indus valley, 3–9, 11, 12, 15, 16, 24, 25, 122 Islām, 100 Ittagi, 197. Fig. 108
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JABBALPUR, 109 Jaggayapeṭa, 34, 35, 46, 159. Fig. 38 Jaina, 98, 99, 184 Jambhala, 143 Jamunā, 172 Jātaka, 26 Chaddanta, 33 Darīmukha, 168. Fig. 51 Gahapati, 152. Fig. 24 Jetavana, 149. Figs. 16, 19 Kaliṅga Bodhi, 207 Kaṇha, 152, 153. Fig. 24 Mahākapi, 158. Fig. 35 Mūga Pakkha, 163. Fig. 49 Vaṇṇupatha, 160. Fig. 40. Jetavana, see Jātaka Jhukar, 3
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KAILĀSA relief, see Ellora Kailāsanātha temple, see Ellora Kailāsanātha temple (Kāñcīpuram), 78, 82, 86, 178, 215 Kālī, see Devī Kaliṅga, 24, 34, 112, 113, 116, 192, 195, 207, 220 Kaliṅga Bodhi, see Jātaka Kalyāṇasundara mūrti, see Śiva Kāṅgṛā, 196 Kaṇha, see Jātaka Kaṇheri, 72 Kaniṣka, 42, 43; casket, 45, 210 Kārlī, 43, 70, 71, 161, 162, 213. Figs. 43, 44 Kaśmir, 116 Khajurāho, 108, 114, 189–91. Figs. 92, 93 Citragupta temple, 190. Fig. 91 Dūladeo temple, 189. Fig. 90 Kāṇḍārya Mahādeva temple, 219 Viśvanātha temple, 191. Fig. 94 Khaṇḍagiri, 22, 34 Khiching, 194. Fig. 99 Kinnara, 29, 150, 197; story of Sudhana Kinnara, 165 Kinnarī, 197 Koṇāraka, 112, 113, 116, 195, 196. Figs. 103, 104 Kotla Nihang, 204 Kuṣāṇa, 42, 43, 64, 103, 144, 169, 170 Kṛṣṇa, 186, 197, 198 Maṇḍapam, see Māmallapuram LĀḌ Khān temple (Aihoḷe), 69 Lakṣaṇa, 62 Lakṣmī, see Devī Liṅgam, see Subject-index Liṅgarāja temple, see Bhuvan-eśvar Liṅgodbhava mūrti, see Śiva Loriyān Tāngai, 210 Luristān, 103
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MADHYADEŚA, 24, 26, 34, 35, 37, 169, 206, 216, 219 Madura, 119, 120, 200. Fig. 115 Mahākapi, see Jātaka Mahāyogin, see Śiva Maheśvara, see Śiva Maheśvarī, see Devī Mahobā, 108 Maithuna, 43, 87, 97, 155, 190 Makara, 154, 163 Malwa, 187, 188. Fig. 87 Māmallapuram, 78–80, 82, 84, 86, 102, 114, 178–80 Arjuna’s ratha, 179 Dharmarāja ratha, 179 Gaṅgā relief, 78, 79, 82, 178 Kṛṣṇa maṇḍapam, 179. Fig. 74 Mañcapurī cave, 34, 159. Fig. 37 Maṇibhadra, 39, 204 Maṇiyār Maṭha, 67 Maṅkuwār, 214 Masrūr, 196. Fig. 105 Mathurā, 10, 11, 24, 30, 38–44, 46, 50–53, 57, 58, 60–63, 67, 68, 74, 75, 99, 144, 145, 148, 155, 160–62, 169–71, 175. Figs. 12, 28, 40, 41 Maurya, 9–12, 24, 25, 34, 38, 41, 42, 59, 143, 148, 157, 159, 205 Māyā Devī, see Devī Mayūrbhañja, 111, 116, 194. Fig. 99 Mediterranean, 5 Mesopotamia, 4, 203 Mirpur Khās, 214 Mohenjo-Daro, 3, 7, 20, 39, 63, 74, 121, 127, 145–47, 205. Figs. 4, 6–9 Mudrā, 45 Abhaya, 57, 161, 169 Añjali, 153
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Jñāna, 174 Vyākhyāna, 173 Mughal, 186 Mūga Pakkha, see Jātaka Mukhed, 198. Fig. 110 Muslim, 103, 115 Mysore, 118 Mukteśvar temple, see Bhuvan-eśvar
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NĀCHNĀ Kuṭhārā, 73, 216 Nāga, 6, 69, 149, 150, 157, 173, 175, 195 Nāgarāja, 24, 168 Nāgarī, 172. Fig. 61 Nāgārjunikoṇḍa 46, 211–13 Naghai, 196. Fig. 106 Nāgī, 157, 175 Nālandā, 74, 78, 111, 183, 193, 194. Figs. 97, 98 Nalatigiri, 184. Fig. 83 Nānāghāṭ, 210 Narasimha, see Viṣṇu Nāsik, 72, 88, 177. Fig. 69 Naṭarāja, see Śiva Neminātha, 186 Nṛttamūrti, see Śiva
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ORISSĀ, 9, 24, 34, 44, 66, 78, 98, 99, 108, 111–16, 159, 184, 186, 192–94, 220
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PACCEKA Buddha, see Buddha Pahārpur, 77, 78, 182, 215, 216. Fig. 80 Pāla, 77, 78, 99, 111, 112, 116, 144, 193, 216 Palæolithic, 3, 7, 8, 11, 15, 16, 59, 127, 146, 213 Pallava, 78, 178, 181 Pāñcika, 143 Pañjāb, 3 Paraśurāmeśvar temple, see Bhuvaneśvar Parel, 70, 75, 173, 176. Fig. 66 Parinirvāṇa, 177 Pārkham, 10 Pārvatī, see Devī Patna (Pāṭaliputra), 9–11, 30, 144, 148, 157
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Paṭṭadakal, 85, 86 Pawāyā (Padmāvatī), 39, 162, Fig. 45 Persian, 11 Pokharṇā, 205 Purī, 112
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RĀJA Rāni temple, see Bhuvaneśvar Rājgir, (Rājagṛha) 9, 67 Rājput, 105, 107, 109 Rājputāna, 67, 99, 172, 188 Rākṣasa, 198 Rāmeśvar cave, see Ellora Rāmeśvar temple, see Bhuvaneśvar Rāni Gumphā, 44 Rāmpurvā, 147. Fig. 10 Rāvaṇa, see Kailāsa relief, Ellora Rāvaṇa kā Khai, see Ellora
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SAKHĪ, 187 Śālabhañjikā, 96, 175, 196, 198 Sāñcī, gates, 17, 22–24, 26, 28, 30–34, 36, 37, 39, 50–52, 62, 68, 73, 83, 110, 151, 152, 156–59, 213. Figs. 32–35; stūpa II, 26, 27, 30, 35, 44, 117, 148, 155, 156. Figs. 29–31 Sarasvatī, see Devī Śārdula, 96, 110, 190. Fig. 92 Sārnāth, 17, 30, 60, 63, 67, 70–72, 74, 75, 77, 78, 147, 169, 170, 172. Figs. 11, 62 Satī stone, 220 Satryugneśvar temple, see Bhuvaneśvar Satyabhāmā, see Devī Scythian, 43, 45 Seistān, 3 Sena, 77, 78, 111, 112, 115, 144, 192, 216 Senniyanvidudi, 199. Fig. 112 Sind, 3, 67 Sirimā Devatā (Bhārhut), see Devī Sīrpur, 78 Śiva, 88, 120, 174–76 Ardhanārīśvara mūrti, 145 Gaṅgādhara mūrti, 183 Kalyāṇasundara mūrti, 182. Fig. 79 Liṅgodbhava mūrti, 176 Maheśvara, 145 Mahāyogin, 175 Naṭarāja, 176 Nṛtta mūrti, 197 Tripurāntaka mūrti, 180, 200. Fig. 77 Umā-maheśvara, 94 Umāliṅgana mūrti, 145 Vṛṣavāhana mūrti, 199. Fig. 113 Śiva-liṅgam, 35 Śivaitic, 70, 79, 173; saints, 120 Sondani, 171. Fig. 60 South India, 24, 34, 78, 85, 118, 120, 145, 178, 199 Strzygowski, 103 Stūpa, 18, 24–27, 30, 46, 74, etc. Sudarśanā Yakṣī (Bhārhut), 28, 29, 154. Fig. 27 Suḷtāṅgañj, 67, 171. Fig. 59 Śuṅga, 34, 41, 148, 162 Sūrya, 34, 36, 68, 160 Svastika, 74, 197
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TANJORE, 199 Tāpti, 105 Tāranātha, 219 Taxilā, 162 Tejapāla, 186 Tigāwā, 68 Tirthamkara, 99, 184, 218 Tripura, 220 Tripurāntaka mūrti, see Śiva Trivikrama, see Viṣṇu
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UDAYAGIRI (Gwālior), 20, 36, 60, 68, 69, 79, 84, 172. Fig. 63 Udayagiri (Orissā), 34, 159 Umā-maheśvara, see Śiva Umāliṅgana mūrti, see Śiva Uṣṇīṣa, see Subject Index Utkala, 78, 112, 113, 115, 184, 219 Uttareśvar temple, see Bhuvaneśvar
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VĀHANA, see Subject Index Haṃsa, 184 Nara, 155, 159 Vaṇṇupatha, see Jātaka Varāha avatāra, see Viṣṇu Varuṇa, 196 Veṅgī, 24, 34, 35, 37, 38, 46–48, 50–53, 58, 60, 64, 78, 80–82, 169, 171, 207 Vijayanagar, 108, 114, 120, 200. Fig. 114 Vima Kadphises, 42, 43 Viṇā, 165, 174 Virgal, 220 Virūpākṣa temple (Paṭṭadakal), 85 Viṣṇu, 69, 71–72, 94, 105, 122, 192 Anantaśāyin, 173 Narasimha, 106, 122, 185, 188, 189. Figs. 85, 89 Varāha, 36, 60, 68, 69, 79, 172, Fig. 63 Viśvarūpa, 171 Trivikrama, 71, 176. Fig. 67 Viṣṇuitic, 76 Viśvanātha temple, see Khajurāho Viśvarūpa, see Viṣṇu Vṛṣavāhana mūrti, see Śiva
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WESTERN school, 67, 103, 105, 107, 109, 117, 188, 219
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YAKṢA 9–11, 24, 35, 39, 143, 144, 148, 155, 156, 159, 176, 204 Yakṣī, 9, 10, 24, 143, 145, 153–55, 157 Yantra, 93–95, 199 Yātrā, 97
Subjects
c11.s2.1
ABORIGINAL, 3, 36, 40, 43, 100, 103, 121, 127 Accentless composition, 71, 97; distribution and dynamic coherence, 132, 133, 137, 186 Anatomy, 10, 46, 59; and vital currents, 55 Animal in Indus valley art, 4, 6, 8, 10, 11 psychological aspect of, 110 supremacy of, in ancient and mediæval art, 110 component in transcendental experience, 122 vitality and innervation, 59 Animalism, vegetative, 147 Anthropomorphic representation, 39, 47, 48 Appearance, part of reality, 5, 19, 135, 136 Architecture and sculpture, 79, 81, 86, 98, 113, 114, 120, 217; atmosphere part of, 114 Art-province, 193, 220 Articulation, plastic and non-tectonic, 196 Atmospheric reservoir, 84
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BALANCE, 76, 133, 135, 137 Bhakti, 94, 120 Body and dynamism, 72 and salvation, 50 embodiment of life movement, 56 garment and ornaments, 41, 45, 60, 119, 132, 184, 193, 198 in a cosmic sense, 88 of temple and figures, 190 space, 49, 84, 85, 89 transubstantiated, 65, 74, 75 Breathing, 65
c11.s2.3
CANON of proportions, etc., 57 ff., 94, 101 Cave temple and garbha-gṛha, 95 Chronology, XI, 7, 8, 12, 37, 53, 76, 89, 123, 128, 129, 137, 138, 193, 198, 201, 217 Collective method of work, 23 Conglomerating treatment, 154, 155 Consciousness, levels of, XI, 75; universal, and form, 89 Co-ordination of relief figures, 23 Craftsman, 19, 20, 61, 64, 94, 129, 133, 134 and passim Curve, concave, 187, 188 continuous, 190 and passim parabolic, 52, 81, 164, 167 undulating, 149 and passim
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DANCE and composition, 183 Decoration, a by-product, 17, 118; see Devices Devices, functional, of inter-relation, 18–22, 40, 48, 149, 150; decorative, 114 Dimension, dynamic, 71; inner of Indian plastic art, 137, 138; of depth, 20, 49; of inner life-movement, 56 Dynamic factor, 32, 71, 72, 77, 98, 121, 133, 134
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ETHNICAL amalgam, 220; factors, 7, 15, 16, 35, 37, 60, 88, 99, 103, 104, 107, 121, 123, 127–29, 139; stratification, 219
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FLUID quality, 17, 34, 37, 43, 59, 131-33 Flying, 66, 67, 87 Foreshortening and oversecting, 22, 40, 48, 149, 164 Form and material, 181, 215; and motif, 203; and mythical imagination, 163; and spiritual realisation, 214; and the un-formed, 31, 33, 82; 191, 196; character of, 8, 12, 37, 53, 75, 89, 123; the un-formed and the formless, 138, 139
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GEOGRAPHY, 8, 12, 24, 37, 53, 68, 75, 89, 99, 105, 123, 128, 206; and ethnical problems, XI, 73, 88 Ground of relief, 21, 28, 30, 66, 81, 98, 113, 152 Group, 30, 32, 52, 65, 97
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HALO, 6, 162, 170; prabhā-maṇḍala, 170; śiraścakra, 170 Horizontals and verticals, non-tectonic, 32, 213 Human figure, 4, 43; and ethnical types, 33, 44; and movement, 51; and nature, 48, 52, 156; and pattern, 27; and surroundings, 40; and vegetative rhythm, 54 and passim; animal and vegetation, 8; concretion of energy, 83, 87; form of the movement of life, 55; made superhuman, 7; prevalence of, 58
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ICONOGRAPHY, 38, 39, 45, 72, 98, 100, 104 Image, 38, 41, 52, 61, 64, 93-96, 119, 120; and yantra, 93-95; worship, 39 Inflexion, 53 ff., 93, 137 In-look, 63, 101, 102 Inner meaning, 8, 12, 37, 53, 76, 89, 123 Innervation, 5, 41, 59, 87, 137, 143
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LEVITATION, 66, 67
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Light and darkness, 30, 84, 88, 101, 113, 114, 152, 158, 162, 178, 198 tempered, 95 Line and modelling, 122, 130 highest plastic accent, 146 intellectual function of, 130 Linear abstractions, 117, 119, 197; northern element, 103, 107, 108, 148 Liṅgam, 35, 70, 159, 170, 175, 176 Locality and narration, 18, 19, 206 and transcendentalism, 53 manner of indicating, 48
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MANY-LIMBED divinity, 6, 8, 58 Mass, 32, 72, 157, 169, 177, 180 Material and creative attitude, 30, 98, 121, 130, 134, 139, 152, 157, 181 metal, 111, 119-121, 193, 199 stone, 17, 35, 193 terra-cotta, 11, 18, 73, 130, 157, 205, 215 Mediæval factor, 103, 104, 120, 192, 217 Modelling, 3, 5, 50, 115, 130, 143, 156, 157, 161, 162, 169, 177 Motif, 37, 45, 65, 74; abstract and vegetative, 73, 97, 108; anthropo- and theriomorphous, 97; anthropomorphous and vegetative, 96 Movement and form, 136 and linear composition, 50 centrifugal, 6, 156 of inner life, 56 of plants, 54 physical, 41, 46, 48 transcending, 52
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NATURE and movement of inner life, 101 and the supernatural, 8, 136 integrated within human figure, 52, 65 oneness with, 52, 73 Naturalism, 4, 9, 45, 50, 83, 109, 114, 115, 143, 145, 147; aboriginal, 100; an unavoidable condition, 4; and innervation, 8, 15, 136; and plastic modelling, 53; and transubstantiation, 56, 136; brought about by consciousness of artist as a part of nature, XI, 129, 130, 135–137; in relation to the physical, 42 Navel, 155
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OUTLINE, 83, 120, 130, 161, 169, 212; and movement, 50, 51; and volume, 34; correlative of modelled surface, 17, 18, 130; task of, 130
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PATTERN, 74, 117, 189, 197, 219; and Buddha figure, 177 Physiognomy, 10, 18, 29, 35, 43, 49, 62, 63, 80, 86, 107, 109, 115, 120, 123, 169, 185, 187, 189, 193, 199, 214, 218 Plant-style, 26; and human figure, 55 Plastic, 16, 17, 42, 43, 75, 83, 100, 129, 130, 137, 176, 181, 206, 207; and subject-matter, 134; conception and physiognomy, 193; consistency, 155; continuity, 131; imagination, 115, 116, 160; its a priori possibility, 131; mass, 32; rhythm, 59; sense, 118, 120; tendency and linear element, 122, 185, 211; transformation, 59, 64; urge, 17, 130; vitality, 36, 37 Portrait, 42, 81, 97, 134 Prabhāmaṇḍala, 146; and liṅgam, 170 Proportion, 36, 40 Psychology, 10, 23, 88, 110, 116, 122
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RATIONALISATION, 19, 32, 58, 93, 95 Reflective attitude, 101, 102, 122 Reiteration, 33, 37, 97 Relief, graded, 131, 177 and passim Rhythm 16, 27–29, 31, 36, 37, 46, 55, 59, 65 Rock sculpture, 17, 60, 69, 78, 79, 81, 82, 87, 127, 160, 162, 181 Ruler, attitude towards art, 108
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SEEING, XI, 135, 136, 139 Śilpa śāstra, X, 96, 98, 120, 213 Śiraścakra, see halo Size relative, according to importance, 20, 40, 62, 132, 150 Soil, 128, 129 Space, not void, 22, 139 Static condition, 133, 151, 153 Subject matter, X; specified, and composition, 29, 47, 72, 98, 134, 149, 152, 198 Surface and volume, 154, 169, 199 Symbol versus form, 24–26, 47, 48, 57, 62, 94, 95, 213
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TECHNICAL treatment and form, 215 and motif, 216 Time, IX, 18, 19; dual meaning, 138, 139; elimination of, 18, 19 Touch, X, XI, 48, 135, 139 Transcendent animality, 122 composition, 51–53 possibilities, visualisation of, 58, 83, 85 Transubstantiation, 53, 54 ff., 75, 93, 101, 137, 138
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URGE of the rock, 82 of the stone, 30 and passim of the un-formed, 31, 70, 71, 74, 81, 128 Uṣṇīṣa, 6, 45, 169, 203
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VĀHANA, 24, 25, 57, 75, 213 Vegetative and animal vitality, 110 devices, 54, 58, 74, 155, 156, 208 and *passim* principle, 26–29, 47, 54–56, 59 rhythm, 5, 16, 37, 74, and *passim* Volume, 41, 60, 120, 146; and garment, 41, 144, 154, 155, 170; dynamic, 32, 49 and *passim* YOGA, 3, 4, 63, 73, 176, 203