Indian Sculpture c12: Plates
Indian Sculpture c12
- Language
- English
Plates
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Figs 1, 3 and 4 reproduced by the courtesy of Mr. Arthur Probsthain. Copyright, property of the Government of India.
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The photographs on this plate are reproduced by the kind permission of Mr. Arthur Probsthain, Great Russell Street, London, W.C. 1, India.
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the *Gesta Romanorum*, the *Legenda Aurea* of Jacobus de Voragine, and the *Speculum Historiale* of Vincent of Beauvais. These were the books that fed the imagination of the Middle Ages, and they were the books that the Church, in its wisdom, provided for the instruction and edification of the faithful.
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But the Church did not merely provide books; it also provided the means of their dissemination. The monastic scriptoria, where monks labored in silence to copy the sacred texts, were the precursors of the printing press. And when the press finally arrived, it was the Church that first harnessed its power, using it to spread the word of God to the corners of the earth. The Gutenberg Bible, the first major book printed in Europe, was a testament to the Church's commitment to the written word.
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Yet, even as the Church championed the spread of knowledge, it also sought to control it. The *Index Librorum Prohibitorum*, or List of Prohibited Books, was a tool used by the Church to suppress ideas it deemed dangerous or heretical. This tension between the desire to educate and the need to control would define the Church's relationship with literature for centuries to come.
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It is a complex history, one that is marked by both enlightenment and suppression. But it is a history that cannot be ignored, for it is the history of the very foundation of Western civilization. The Church, in its role as the guardian of knowledge, has shaped the way we think, the way we write, and the way we understand the world around us.
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the *Gesta Romanorum*, the *Legenda Aurea* of Jacobus de Voragine, and the *Speculum Historiale* of Vincent of Beauvais. These were the books that fed the imagination of the Middle Ages, and they were the books that the Church, in its wisdom, provided for the instruction and edification of the faithful.
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But the Church did not merely provide books; it also provided the means of their dissemination. The monastic scriptoria, where monks labored in silence to copy the sacred texts, were the precursors of the printing press. And when the press finally arrived, it was the Church that first harnessed its power, using it to spread the word of God to the corners of the earth. The Gutenberg Bible, the first major book printed in Europe, was a testament to the Church's commitment to the written word.
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Yet, even as the Church championed the spread of knowledge, it also sought to control it. The *Index Librorum Prohibitorum*, or List of Prohibited Books, was a tool used by the Church to suppress ideas it deemed dangerous or heretical. This tension between the desire to educate and the need to control would define the Church's relationship with literature for centuries to come.
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It is a complex history, one that is marked by both enlightenment and suppression. But it is a history that cannot be ignored, for it is the history of the very foundation of Western civilization. The Church, in its role as the guardian of knowledge, has shaped the way we think, the way we write, and the way we understand the world around us.
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the *Goths*, the *Vandals*, the *Suevi*, the *Burgundians*, the *Alani*, the *Huns*, the *Franks*, the *Saxons*, the *Thuringians*, the *Rugians*, and the *Heruli*. The names of these tribes are familiar to the reader, but their origin, their migrations, and their settlements are involved in the deepest obscurity. The most probable opinion is that they were all of German or Scythian extraction, and that they had been driven from their native seats by the pressure of the Huns, a formidable nation of Tartars, who had crossed the Volga and the Tanais, and were advancing with rapid strides towards the frontiers of the Roman empire.
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The first of these nations that crossed the Danube was the *Goths*. They were divided into two great branches, the *Visigoths* or Western Goths, and the *Ostrogoths* or Eastern Goths. The Visigoths, under the conduct of Fritigern, implored the protection of the emperor Valens, and were permitted to settle in the province of Thrace. But the perfidy of the Roman governors, and the insolence of the Roman soldiers, soon provoked them to rebellion. They defeated the imperial armies, and Valens himself perished in the battle of Hadrianople.
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The death of Valens was followed by the accession of Theodosius, who, by his wisdom and valour, restored the discipline of the Roman legions, and compelled the Goths to accept a peace, which was rather a truce than a permanent settlement. The Goths, however, remained in the heart of the empire, and their presence was a constant source of danger and alarm. They were no longer the rude barbarians who had first crossed the Danube; they had learned the arts of war and the policy of the Romans, and they were ready to take advantage of any opportunity to assert their independence.
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The reign of Theodosius was the last period of the glory of the Roman empire. After his death, the empire was divided between his two sons, Arcadius and Honorius. Arcadius reigned in the East, and Honorius in the West. The division was fatal to the interests of the state. The two brothers were weak and indolent, and they were governed by their ministers and favourites. The Goths, under the command of Alaric, took advantage of the weakness of the government, and invaded Italy. They besieged and took Rome, and the eternal city, which had for so many centuries been the mistress of the world, was plundered by the barbarians.
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The fall of Rome was a shock to the whole civilized world. It was the end of an era, and the beginning of a new and darker age. The Goths, after the death of Alaric, retired from Italy, and settled in Gaul and Spain, where they founded kingdoms which were destined to last for several centuries. The Vandals, under the command of Genseric, crossed into Africa, and established a powerful kingdom, which for a time threatened the security of the Mediterranean. The Franks, under the command of Clovis, conquered Gaul, and laid the foundations of the French monarchy. The Saxons, under the command of Hengist and Horsa, invaded Britain, and established the kingdoms of the Heptarchy.
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the Lacedaemonians, who had been waiting for the signal, now attacked the city. The Plataeans, seeing the enemy already inside and their own men falling, and knowing nothing of the plot, were seized with panic and, thinking that the Thebans were far more numerous than they really were, surrendered at discretion. But when they discovered that the Thebans were few, they took heart and, resolving to attack them, closed the gates and fell upon them.
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The Thebans, finding themselves in a trap, began to defend themselves. Twice or thrice they repelled the attacks of the Plataeans, but when the women and slaves began to shout and throw tiles and stones from the houses, and a heavy rain began to fall, the Thebans, confused and blinded, broke and fled through the city. Most of them, not knowing the way in the darkness and rain, fell into the drains or were killed by the Plataeans, who knew the streets. The gate through which they had entered had been shut by a Plataean who had found a javelin-head and used it as a bolt, so that there was no way out. Pursued through the city, some climbed the wall and jumped down, most of them perishing; others reached the gate and, finding it shut, were cut down by the women and slaves. A small party, seeing a large building with an open door, rushed in, thinking it was a gate, and were captured.
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Meanwhile, the main body of the Thebans, who were to have arrived at daybreak to support the first party, had been delayed by the rain and the swollen river Asopus. When they heard of the disaster, they hurried to the city, intending to seize any Plataeans who might be outside the walls. The Plataeans, suspecting their intention, sent a herald to them, warning them not to harm the prisoners they had taken, and threatening to kill them if they did not withdraw from their territory. The Thebans, upon this, retired.
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The Plataeans, having thus cleared the city, collected their dead and the prisoners. The prisoners, numbering about one hundred and eighty, were executed the next day, despite a message from the Thebans claiming that they had surrendered on terms. The Plataeans denied this, asserting that they had promised to spare them only if they did not commit further acts of violence.
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Thus ended the attempt of the Thebans upon Plataea, an event which was the immediate cause of the war between Athens and the Peloponnesians. The Plataeans, having secured their city, sent a messenger to Athens with the news, and the Athenians, fearing for the safety of the Plataeans, sent a garrison to their aid and removed the women and children to Athens.
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The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
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The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
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The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
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The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.
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The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
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The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
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The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
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The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.
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The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
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The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
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The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
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The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.
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The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
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The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
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The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
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The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.
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the *Goths*, the *Vandals*, the *Gepidae*, the *Burgundians*, the *Alemanni*, the *Heruli*, the *Rugians*, the *Turcilingi*, and the *Sciri*.¹
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¹ The names of these tribes are preserved in the writings of the contemporary historians, particularly in the works of *Jornandes* and *Procopius*.
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The *Goths* were the most powerful of these nations. They were divided into two great branches, the *Ostrogoths* and the *Visigoths*. The *Ostrogoths* inhabited the country between the *Dniester* and the *Don*, and the *Visigoths* occupied the territory between the *Danube* and the *Dniester*.
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The *Vandals* were a people of *Germanic* origin, who had migrated from the north of *Germany* to the banks of the *Danube*. They were a fierce and warlike race, and they were often at war with the *Romans*.
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The *Gepidae* were a tribe of *Gothic* origin, who had settled in the country near the *Carpathian* mountains. They were a brave and hardy people, and they were often the allies of the *Goths*.
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The *Burgundians* were a people of *Germanic* origin, who had migrated from the banks of the *Oder* to the banks of the *Rhine*. They were a peaceful and industrious people, and they were often the allies of the *Romans*.
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The *Alemanni* were a confederation of *Germanic* tribes, who had settled in the country between the *Rhine* and the *Danube*. They were a fierce and warlike race, and they were often at war with the *Romans*.
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The *Heruli* were a people of *Germanic* origin, who had migrated from the north of *Germany* to the banks of the *Danube*. They were a fierce and warlike race, and they were often at war with the *Romans*.
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The *Rugians* were a people of *Germanic* origin, who had migrated from the north of *Germany* to the banks of the *Danube*. They were a fierce and warlike race, and they were often at war with the *Romans*.
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The *Turcilingi* were a people of *Germanic* origin, who had migrated from the north of *Germany* to the banks of the *Danube*. They were a fierce and warlike race, and they were often at war with the *Romans*.
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The *Sciri* were a people of *Germanic* origin, who had migrated from the north of *Germany* to the banks of the *Danube*. They were a fierce and warlike race, and they were often at war with the *Romans*.
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The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
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The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
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The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
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The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.
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The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
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The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
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The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
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The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.
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the *Gesta Romanorum*, the *Legenda Aurea*, and the *Speculum Historiale* of Vincent of Beauvais. The *Gesta Romanorum* is a collection of anecdotes and tales, compiled in the thirteenth or fourteenth century, which were used by preachers to enliven their sermons. The *Legenda Aurea* (Golden Legend) of Jacobus de Voragine, written in the thirteenth century, is a collection of the lives of the saints, which was immensely popular and influential throughout the Middle Ages. The *Speculum Historiale* of Vincent of Beauvais is a vast encyclopaedic work, which aimed to provide a complete history of the world from the creation to the author's own time. These works, and others like them, provided the medieval mind with a rich store of historical and legendary material, which was used to illustrate moral and religious truths.
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The study of history in the Middle Ages was not, however, confined to these popular works. There were also more serious historical writings, which aimed to record the events of the past with greater accuracy and critical judgment. Among these, the works of William of Malmesbury, Henry of Huntingdon, and Matthew Paris are particularly notable. William of Malmesbury, in his *Gesta Regum Anglorum* (Deeds of the Kings of the English) and *Gesta Pontificum Anglorum* (Deeds of the Bishops of the English), showed a remarkable critical sense and a desire to base his narrative on reliable sources. Henry of Huntingdon, in his *Historia Anglorum*, provided a lively and readable account of English history, while Matthew Paris, in his *Chronica Majora*, gave a detailed and often critical account of the events of his own time, particularly those concerning the relations between the papacy and the English crown.
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These historians, and others like them, were not merely chroniclers of events; they were also interpreters of history. They saw history as a process, in which the hand of God was constantly at work, guiding the destinies of nations and individuals. This providential view of history was a fundamental aspect of the medieval world-view, and it gave a deeper meaning to the events they recorded. They were not just telling stories; they were revealing the divine purpose that lay behind the unfolding of human affairs.
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The medieval period also saw the development of a new form of historical writing, the *universal history*. This was an attempt to write a history of the world from the creation to the present day, often within a framework of the six ages of the world. This type of history was popularised by writers like Otto of Freising, whose *Chronica sive Historia de duabus civitatibus* (Chronicle or History of the Two Cities) is a masterpiece of medieval historical thought. Otto, influenced by the theology of St. Augustine, saw history as a struggle between the city of God and the city of man, a conflict that would only be resolved at the end of time. This work, and others like it, provided a grand, overarching framework for understanding the past, and it had a profound influence on the way history was written and understood for centuries to come.
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the *Syllabus* of 1864, which condemned the modern world, and the definition of papal infallibility in 1870, which seemed to isolate the papacy from the modern world, were the logical conclusions of the policy of centralization. The papacy had become a monarchy, and the Church a centralized organization, in which the bishops were merely the agents of the Roman Curia. The *Risorgimento* had destroyed the temporal power, but it had made the Pope more powerful than he had ever been in the history of the Church. The loss of the Papal States was a blessing in disguise, for it freed the papacy from the burden of temporal government and allowed it to concentrate on its spiritual mission. The Pope was no longer a sovereign prince, but the spiritual leader of a worldwide Church. The *Risorgimento* had not destroyed the papacy; it had transformed it.
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The history of the papacy in the nineteenth century is a history of a struggle for survival. The papacy was attacked by the forces of liberalism, nationalism, and secularism. It was forced to adapt to a new world, a world that was no longer Christian, or at least no longer Catholic. The papacy survived this struggle, and it emerged from it stronger and more united than it had ever been. The nineteenth century was a century of crisis for the papacy, but it was also a century of renewal. The papacy had been forced to define its role in the modern world, and it had done so with a clarity and a determination that had not been seen since the Middle Ages. The papacy had become a symbol of resistance to the forces of modernity, and it had become a beacon of hope for those who sought a return to the values of the past. The history of the papacy in the nineteenth century is a testament to the resilience of the institution, and it is a reminder that the papacy is not just a political power, but a spiritual force that transcends the boundaries of time and space.
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c12.125
The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
c12.126
The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
c12.127
The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
c12.128
The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.
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68
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69
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70
c12.133
The *fraternities* of the Middle Ages, which were so numerous and so varied in their objects, were not all of the same origin. Some were religious, some social, some charitable, and some industrial. The religious guilds, or *gilds*, as they were often called, were associations of laymen for the purpose of performing religious duties, such as the maintenance of a chaplain, the celebration of masses, or the support of a hospital. The social guilds were formed for the purpose of mutual aid and good fellowship, and often included in their objects the relief of the poor, the sick, and the aged. The charitable guilds were established for the purpose of supporting hospitals, almshouses, and other institutions of mercy. The industrial guilds, or *craft guilds*, were associations of men engaged in the same trade or industry, and were formed for the purpose of regulating the trade, protecting the interests of the members, and maintaining the quality of their work.
c12.134
The craft guilds, which became so powerful in the later Middle Ages, were the successors of the earlier *collegia* of the Roman Empire. The *collegia* were associations of artisans and tradesmen, which were recognized by the state and had a legal existence. When the Roman Empire fell, these associations were largely destroyed, but the idea of association for mutual protection and the regulation of trade survived. In the early Middle Ages, the *gilds* began to reappear, and by the twelfth century they were firmly established in many of the cities of Europe.
c12.135
The craft guilds were organized on a democratic basis, and every member had a voice in the management of the guild's affairs. The officers were elected by the members, and the rules and regulations were made by the guild as a whole. The guilds had the power to fix prices, to regulate the hours of labor, and to determine the conditions of apprenticeship. They also had the power to punish members who violated the rules, and to expel those who were guilty of serious offenses. The guilds were thus a powerful force in the economic life of the Middle Ages, and they played an important part in the development of the modern industrial system.
c12.136
The decline of the craft guilds began in the sixteenth century, when the rise of the factory system and the growth of international trade made it difficult for the small, local guilds to compete with the larger and more efficient industrial organizations. The guilds were also weakened by the growth of the power of the state, which began to regulate trade and industry directly, and by the rise of the capitalist class, which sought to break the power of the guilds and to establish a system of free competition. By the end of the eighteenth century, the craft guilds had largely disappeared, but their influence lived on in the trade unions and other labor organizations of the modern world.