[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c13.2 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c13.2 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c13.2 - **Language:** English ### [c13.2](https://indike.org/pramana/ins.art.smith-1911.c13.2) Buddha no longer appears as the sympathetic human teacher moving about among his disciples and instructing them in the Good Law. His image is now generally made to conform to the ideal of the passionless \*yogī\*, as described in the \*Bhagavad-Gītā\*:— - [Previous: c13.1](https://indike.org/pramana/ins.art.smith-1911.c13.1) - [Next: c13.3](https://indike.org/pramana/ins.art.smith-1911.c13.3) - [Up: c13](https://indike.org/pramana/ins.art.smith-1911.c13) ## Linked texts (1) - [Bhagavadgītā](https://indike.org/pramana/in.darsana.all.gita) — Vyāsa, Sanskrit --- Source: [https://indike.org/pramana/ins.art.smith-1911.c13.2](https://indike.org/pramana/ins.art.smith-1911.c13.2) · Pramāṇa