[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c19.s1.11 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s1.11 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s1.11 - **Language:** English ### [c19.s1.11](https://indike.org/pramana/ins.art.smith-1911.c19.s1.11) Muhammadan gems and seals with artistic devices other than calligraphic are necessarily extremely scarce. Mr. King, after referring to the rarity of cameos in purely Oriental style, mentions one conspicuous Muhammadan specimen:— - [Previous: c19.s1.10](https://indike.org/pramana/ins.art.smith-1911.c19.s1.10) - [Next: c19.s1.12](https://indike.org/pramana/ins.art.smith-1911.c19.s1.12) - [Up: c19.s1](https://indike.org/pramana/ins.art.smith-1911.c19.s1) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c19.s1.11](https://indike.org/pramana/ins.art.smith-1911.c19.s1.11) · Pramāṇa