[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c19.s2.16 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s2.16 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s2.16 - **Language:** English ### [c19.s2.16](https://indike.org/pramana/ins.art.smith-1911.c19.s2.16) The original elephants were made of black stone (? marble), and according to Mr. Marshall, who has examined the fragments carefully, were 'moulded with masterly skill and care' and 'true to nature'. They are believed to be of Hindu origin. The riders were carved in red sandstone, and 'their material, style, and technique establish beyond a doubt', according to the same authority, that they were 'carved by Mughal sculptors', a phrase presumably to be interpreted as meaning 'sculptors of the Mughal period'. The actual artists are more likely to have been Hindus than Musalmans. Whoever wrought them, the statues of the riders also seem to have been good, well-finished work. - [Previous: c19.s2.15](https://indike.org/pramana/ins.art.smith-1911.c19.s2.15) - [Next: c19.s2.17](https://indike.org/pramana/ins.art.smith-1911.c19.s2.17) - [Up: c19.s2](https://indike.org/pramana/ins.art.smith-1911.c19.s2) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c19.s2.16](https://indike.org/pramana/ins.art.smith-1911.c19.s2.16) · Pramāṇa