[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c19.s2.23 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s2.23 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s2.23 - **Language:** English ### [c19.s2.23](https://indike.org/pramana/ins.art.smith-1911.c19.s2.23) ¹ For fuller details see Mr. Marshall's illustrated article in \*Ann. Rep. A. S., India\*, 1905–6, pp. 33–42. For Jaimall and Patā in Nepalese tradition see \*ante\*, p. 48. It is now quite certain that the Delhi groups had no connexion either with the Agra Fort statues seen by Finch, or with the single Gwālior elephant also seen by that traveller and by Abūl Fazl. For Bernier see Constable's translation (1891), p. 256. Mr. Keene's observations, largely erroneous, are in App. A to his \*Handbook for Visitors to Delhi\* (1882). - [Previous: c19.s2.22](https://indike.org/pramana/ins.art.smith-1911.c19.s2.22) - [Next: c19.s2.24](https://indike.org/pramana/ins.art.smith-1911.c19.s2.24) - [Up: c19.s2](https://indike.org/pramana/ins.art.smith-1911.c19.s2) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c19.s2.23](https://indike.org/pramana/ins.art.smith-1911.c19.s2.23) · Pramāṇa