[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c19.s4.18 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s4.18 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s4.18 - **Language:** English ### [c19.s4.18](https://indike.org/pramana/ins.art.smith-1911.c19.s4.18) ing pattern in this case are more like Italian renaissance than Asiatic work. This is the only case in which Mr. Marshall can discern Italian influence in the decorations of the Tāj. - [Previous: c19.s4.17](https://indike.org/pramana/ins.art.smith-1911.c19.s4.17) - [Next: c19.s5.1](https://indike.org/pramana/ins.art.smith-1911.c19.s5.1) - [Up: c19.s4](https://indike.org/pramana/ins.art.smith-1911.c19.s4) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c19.s4.18](https://indike.org/pramana/ins.art.smith-1911.c19.s4.18) · Pramāṇa