[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c19.s6.22 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.22 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.22 - **Language:** English ### [c19.s6.22](https://indike.org/pramana/ins.art.smith-1911.c19.s6.22) ³ Opinions differ as to the mode of manufacture. Mr. J. L. Kipling thought that the designs were painted on large sheets, which were cut up into tiles \*before\* firing (\*J. Ind. Art\*, vol. ii, pp. 17, 18); but Mr. F. H. Andrews, after making experiments, believes that the shaped pieces were cut \*after\* glazing and firing (Ibid., vol. x, pp. 27–30). - [Previous: c19.s6.21](https://indike.org/pramana/ins.art.smith-1911.c19.s6.21) - [Next: c19.s6.23](https://indike.org/pramana/ins.art.smith-1911.c19.s6.23) - [Up: c19.s6](https://indike.org/pramana/ins.art.smith-1911.c19.s6) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c19.s6.22](https://indike.org/pramana/ins.art.smith-1911.c19.s6.22) · Pramāṇa