[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c20.s2.35 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.35 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.35 - **Language:** English ### [c20.s2.35](https://indike.org/pramana/ins.art.smith-1911.c20.s2.35) The only signed composition is that on folio 21 \*b\*, dated 1633-4, which bears the name of Muhammad Khān. The picture is characteristic of Jahāngīr's bibulous court. It represents a young man clad in a bright yellow robe and large green turban, kneeling before a vase of flowers and a golden dish containing four earthenware jars, and engaged in pouring red wine from a jewelled goglet into a cup held in his left hand. No shading is used. - [Previous: c20.s2.34](https://indike.org/pramana/ins.art.smith-1911.c20.s2.34) - [Next: c20.s2.36](https://indike.org/pramana/ins.art.smith-1911.c20.s2.36) - [Up: c20.s2](https://indike.org/pramana/ins.art.smith-1911.c20.s2) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c20.s2.35](https://indike.org/pramana/ins.art.smith-1911.c20.s2.35) · Pramāṇa