[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c20.s2.5 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.5 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.5 - **Language:** English ### [c20.s2.5](https://indike.org/pramana/ins.art.smith-1911.c20.s2.5) The thirteen Hindu names in Abūl Fazl's list are:—(5) Daswanth; (6) Basāwan; (7) Kesū (Kesava); (8) Lāl; (9) Mukund; (10) Mādho; (11) Jagan\[nāth\]; (12) Mahēsh; (13) Khemkaran; (14) Tārā; (15) Sānwlah; (16) Haribans; and (17) Rām. The signatures of all the seventeen artists named by Abūl Fazl appear in the Clarke MS., except Haribans, No. 16; and reappear in the Jaipur \*Razmnāmah\*, excepting Nos. 1, 2, and 16. I do not remember seeing any picture signed by Haribans. There were two Mādhos, the Elder (\*Kalān\*) and the Younger (\*Khurd\*). Kesū (Kesava) and some other artists are similarly duplicated in the signatures. Abūl Fazl probably referred to the elder persons bearing the names. In the \*Razmnāmah\* I have noted twenty-eight names, of whom twenty or twenty-one are Hindu. - [Previous: c20.s2.4](https://indike.org/pramana/ins.art.smith-1911.c20.s2.4) - [Next: c20.s2.6](https://indike.org/pramana/ins.art.smith-1911.c20.s2.6) - [Up: c20.s2](https://indike.org/pramana/ins.art.smith-1911.c20.s2) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c20.s2.5](https://indike.org/pramana/ins.art.smith-1911.c20.s2.5) · Pramāṇa