[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c20.s2.78 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.78 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.78 - **Language:** English ### [c20.s2.78](https://indike.org/pramana/ins.art.smith-1911.c20.s2.78) The compositions of this period comprise a variety of subjects, and are the work of many artists. The names of a few whose productions have attracted my special attention may be mentioned—Chitarman, \*alias\* Kalyān Dās; Anūpchhatar; Raī Anūp (possibly the same person); court painter to Prince Dārā Shukoh; Muhammad; Muhammad Nādir of Samarkand; Hāshim; and Muhammad Fakīrullah Khān. - [Previous: c20.s2.77](https://indike.org/pramana/ins.art.smith-1911.c20.s2.77) - [Next: c20.s2.79](https://indike.org/pramana/ins.art.smith-1911.c20.s2.79) - [Up: c20.s2](https://indike.org/pramana/ins.art.smith-1911.c20.s2) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c20.s2.78](https://indike.org/pramana/ins.art.smith-1911.c20.s2.78) · Pramāṇa